My 33 1/3 book, on Aphex Twin's Selected Ambient Works Volume II, was the 5th bestselling book in the series in 2014. It's available at Amazon (including Kindle) and via your local bookstore. • F.A.Q.Key Tags: #saw2for33third, #sound-art, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art.
Playing with audio.
Sounding out technology.
Composing in code.

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Disquiet Junto Project 0279: Word Interiorities

Dissect the sonic properties of a single spoken word.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 8, 2017. This project was posted in the morning, California time, on Thursday, May 4, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0279: Word Interiorities
Dissect the sonic properties of a single spoken word.

Step 1: We’ll be composing short explorations of sound by taking apart the recording of a single spoken word, excavating it for its components, and then exposing them through various techniques, such as repetition, elongation, and contrast. The first step is to choose your word. You can choose your own, or you can follow these chance instructions, which require a single dice. First, roll the dice once. That number tells you which of the six chapters in Luciano Berio’s book Remembering the Future contains your word. Then roll the dice three times; the combined values of those three rolls (e.g., a roll of 3 and a roll of 4 and a roll of 2 yields 9) is how many words to count into the chapter to find your word. You should be able to access a digital copy of the book via Google Books at this URL:

https://goo.gl/hQ1kc0

If the first page of a chapter isn’t available, then simply begin counting from the first available page of the chapter. You can also see if your local library has a copy — or maybe there’s already one on your bookshelf.

Or just choose your own word (preferably one that is family-friendly), or use the chance operation with another book.

Step 2: You don’t need to know much if anything about the composer Berio to do this project. However, it may be helpful to know that he has said that phonemes were more important than syllables when composing for lyrics.

Step 3: Record a short piece of sound/music exploring your selected word, using the ideas described in Step 1 and Step 2, and/or any other approaches you wish to employ.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0279” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/disquiet-junto-project-0279-word-interiorities/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 8, 2017. This project was posted in the morning, California time, on Thursday, May 4, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0279” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 279th weekly Disquiet Junto project — “Word Interiorities: Dissect the sonic properties of a single spoken word”– at:

https://disquiet.com/0279/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0279-word-interiorities/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is a detail of a public domain photo of Luciano Berio, from:

https://commons.wikimedia.org/wiki/File:Luciano_Berio.jpg#mw-jump-to-license

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Disquietude Podcast Episode 0002

Music from Naoyuki Sasanami, Geneva Skeen, Jeanann Dara and Jherek Bischoff, R. Beny, Bana Haffar, Scanner, Yann Novak

This is the second episode of the Disquietude podcast of ambient electronic music. (There’s an odd little glitch at the opening, but otherwise it seems to sound good.) All seven tracks of music are featured with the permission of the individual artists or their record labels. It’s currently on SoundCloud, and will shortly be at Mixcloud, YouTube, iTunes, and Stitcher. There’s also an RSS feed, should you need it.

Below is the structure of the episode with time codes for the tracks:

00:00 theme and intro

01:42 Naoyuki Sasanami’s “Winter”

05:12 Geneva Skeen’s “Ambivalence”

10:42 Jeanann Dara and Jherek Bischoff’s “Jherek”

17:46 R. Beny’s “Basin”

23:21 Bana Haffar’s “Memoriam”

30:27 Scanner’s “Captiva 7”

35:44 Yann Novak’s “Surroundings (Excerpt)”

44:22 track notes

49:18 essay on room tone

51:50 outro

53:19 end

What follows is a rough transcript of the spoken material in the podcast, as well as links to the artists whose work is included: Read more »

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Disquiet Junto Project 0278: MacConnel’s Jingle

Interpret a work of contemporary art as a graphically notated score.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, May 1, 2017. This project was posted in the mid-afternoon, California time, on Thursday, April 27, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0278: MacConnel’s Jingle
The Assignment: Interpret a work of contemporary art as a graphically notated score.

Step 1: The image at the following URL is a photograph of Jingle, a 1980 work by the artist Kim MacConnel (b. 1946). The piece, which is approximately 8 feet wide and is made of acrylic on cotton, hangs at the Parrish Art Museum in the town of Watermill, New York, on the east end of Long Island.

https://disquiet.com/wp-content/uploads/2017/04/kimmacconneljingle.jpg

Step 2: Compose a short piece of music that interprets MacConnel’s Jingle as a graphically notated score.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0278” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/disquiet-junto-project-0278-macconnels-jingle/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, May 1, 2017. This project was posted in the mid-afternoon, California time, on Thursday, April 27, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0278” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 278th weekly Disquiet Junto project — “MacConnel’s Jingle: Interpret a work of contemporary art as a graphically notated score”— at:

https://disquiet.com/0278/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/disquiet-junto-project-0278-macconnels-jingle/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is a photo of Kim MacConnel’s Jingle, a 1980 work for acrylic on cotton, shot at the Parrish Art Museum in Water Mill, New York, on the east end of Long Island.

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Disquiet Junto Project 0277: Chew Concrète

The Assignment: Make music inspired by C. Reider's Chew Cinders album procedures.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, April 24, 2017. This project was posted in the morning, California time, on Thursday, April 20, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0277: Chew Concrète
The Assignment: Make music inspired by C. Reider’s Chew Cinders album procedures.

Step 1: This week’s project is inspired by the manner in which C. Reider recorded his recent album, Chew Cinders (Midnight Circles). We aren’t remixing his album. We’re remixing/repurposing his approach to the album. You can check it out here:

https://midnightcircles.bandcamp.com/album/chew-cinders

Step 2: This instruction is adapted, with Reider’s input, from the manner in which he recorded the album:

Process a sequence of standalone “chunks” of pre-recorded sound — voice, field recordings, noise — with an emphasis on the manipulation of time and pitch. Speed things up, slow them down, and explore the opportunity to use cutup techniques. Pay particular attention to segues between the chunks.

Step 3: Make a piece of music inspired by the approach delineated in Step 2.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0277” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/chew-some-concrete-sounds-disquiet-junto-project-0277/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, April 24, 2017. This project was posted in the morning, California time, on Thursday, April 20, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0277” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information:

More on this 277th weekly Disquiet Junto project — “Chew Concrète: Make music inspired by C. Reider’s Chew Cinders album procedures”– at:

https://disquiet.com/0277/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/chew-some-concrete-sounds-disquiet-junto-project-0277/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted from Thomas Jung’s art for the cover of the album that inspired the project, C. Reider’s Chew Cinders:

https://midnightcircles.bandcamp.com/album/chew-cinders

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Disquiet Junto Project 0276: 808 Blockchain Beats

The Assignment: Make 808-style beats based on the blockchain.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. A SoundCloud account is helpful but not required. There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Tracks will be added to this playlist for the duration of the project:

This project’s deadline is 11:59pm wherever you are on Monday, April 17, 2017. This project was posted in the morning, California time, on Thursday, April 13, 2017.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0276: 808 Blockchain Beats
The Assignment: Make 808-style beats based on the blockchain.

Many thanks to Jon Phillips for proposing and helping to develop this project.

Step 1: This week we’re making music informed and inspired by blockchain. If you’re not familiar with blockchain, this concise summary might be of use:

The Blockchain is a distributed database that maintains a continuously growing list of ordered records called blocks. Each block contains a timestamp and a link to a previous block. The most well known and original implementation is the Bitcoin Blockchain which is often described as a peer-to-peer (p2p) public ledger of all transactions. Blockchain technologies offer a consensus mechanism of indirect coordination, which provides the ability to achieve large-scale and systematic cooperation in an entirely distributed and decentralized manner. Blockchains can be considered as hyper-political and global governance tools, capable of managing social interactions on a large scale and dismissing traditional central authorities. Specific uses include accounting, identity management, record keeping systems, voting, and land registries.

The source of the summary:

https://en.m.wikipedia.org/wiki/Blockchain

Now, if blockchain is too technical and you aren’t using bitcoin as the new gold ;) then use the images that come to mind: block & chain, and use 808 sounds to make some beats.

Step 2: Make a beat informed by blockchain that uses or is in someway inspired by the 808 drum machine.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0276” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/808-blockchain-beats-disquiet-junto-project-0276/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, April 17, 2017. This project was posted in the morning, California time, on Thursday, April 13, 2017.

Length: The length is entirely up to the participant.

Title/Tag: When posting your track, please include “disquiet0276” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information, and if possible link to the original track:

More on this 276th weekly Disquiet Junto project — “808 Blockchain Beats: Make 808-style beats based on the blockchain”— at:

https://disquiet.com/0276/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/808-blockchain-beats-disquiet-junto-project-0276/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is from:

https://en.m.wikipedia.org/wiki/Blockchain/

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