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Playing with audio.
Sounding out technology.
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tag: video

Telecom Substation Jam

Tulpa | Dusha synchronizes archaic equipment into industrial techno

Tulpa | Dusha (aka Anna Martinova) has released a surreptitiously low-key industrial techno EP on her Bandcamp account, Titled Fall, it’s two long tracks, each seven minutes, of slight variations in small percussive sounds, as if ratchets and gears, small pistons and wood blocks had been gathered for some sort of Lilliputian rave.

It’s like if a telecom substation’s internal equipment suddenly all clicked into lockstep for an after-hours jam. What it really is, though, is Martinova working with vintage electronics that have been accumulated by Hans Kulk. As she explains: “these machines were originally intended for industrial and technical applications but they also inspired some of the earliest experiments in electronic music.”

More from Tulpa | Dusha / Anna Martiova, who is based in Amsterdam, at and YouTube. She is also the founder of the Modular Moon modular synthesis school (

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Live Cassette Loop Jam

From the YouTube account of the British/Italian duo Sonars

This rough-textured live ambient cassette loop jam noted the Sonars account on YouTube hitting the 1,000-follower milestone. It’s lush, with echoes of Gavin Bryars’ work, suggesting a sepia-toned version of a damaged old document, the aural equivalent of a photograph altered by time and the elements, changes both cultural and elemental. While listening, get lost in the nostalgia-tinged atmosphere. Also keep an eye (and ear) out the moment, just after the two-minute point, when the pitch, and attendant pace, are slowed markedly.

This is the latest video I’ve added to my ongoing YouTube playlist of fine live performance of ambient music. Video originally posted on YouTube. Sonars is a self-described electro-psych duo from the United Kingdom and Italy. More from them at and

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Harold Budd Live in 1989

And Laraaji, too

This space isn’t usually used for archival work, and even less often for grey-market recordings, but a YouTube video of a 1989 performance pairing musicians Laraaji and Harold Budd is an opportune way to reflect on the latter, a day after his death at the age 84. The video was posted yesterday, December 8, clearly to note the passing. It was reportedly recorded at the Lazarote Music Festival in volcanic caves by the name of Jameos Del Agua. The festival was organized by Brian Eno, who is closely associated with both Budd and with Laraaji, as a collaborator and for having released their music. The two are heard separately here, Laraaji with his electronically mediated mbira and zither as the centerpiece of the video, and Budd at the opening and close with slow, majestic combination of solo piano and an underlying synthesizer bed of ethereal tones.

Video originally posted to YouTube. Thanks to Patricia Wolf for having brought it to my attention.

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Grid Across Generations

A live video from Sudden Language

The Tenori-on is almost 15 years old, but it still looks like an instrument from the future. It was an early progenitor of the grid-based instruments that blanket the music-making world these days. Here it is heard sequencing sedate exotica beats, as filtered by an offshoot of another matrix instrument. That’s a Norns Shield on the left, a little music computer from the makers of the Monome Grid. The video is from a musician who goes by Sudden Language.

The Tenori-on was developed by Toshio Iwai and Yu Nishibori. Video originally posted at YouTube. More from Sudden Language at

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Current Listens: Recent Faves on Repeat

Heavy rotation, lightly annotated

A weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them.

This week, some recent favorites to which I keep returning:

Awesome hour-long Loraine James laptop set of glitchy, club-borne IDM, even more intense, more shattered, than the session she recorded for Fact back in mid-August. (Thanks, Bradley Allen for the alert.)

Lloyd Cole recorded an economical little album of modular synthesizer music with one little noise source, from which the record takes its name, Dunst, as its focus:

Mike Weis translates grief into the beautiful, moving 49 Days (Music for a Transition), two quarter-hour tracks of bell field recordings pushed nearly beyond recognition. I’ve been returning to it daily.

The highly talented Jeannine Schulz has been releasing a steady stream of music at a pace in inverse proportion with how slow and placid is the music itself. Much of that has been on her own Bandcamp page, but the label Stereoscenic, of Cleveland, Ohio, released Ground . The Gentle, as a 10-track CD. Start with the aptly named “Heaven-Sent,” all cautious chords and dirty-windshield textures.

▰ In the interest of conversation, let me know what you’re listening to in the comments below. Just please don’t promote your own work (or that of your label/client). This isn’t the right venue. (Just use email.)

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