New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents (Buddha, Syrianna, Mieville)

Quick Links, News and Good Reads: (1) Apparently this (link) is a half-hour video of the duo FM3 (Christiaan Virant and Zhang Jian) playing chess with their Buddha Machines at the De Appel museum of contemporary art in Amsterdam, November 2005 (via The sound quality isn’t great, but eventually people shush and the music makes itself heard. … (2) Deep in the recent NAMM audio convention, one blogger noted a particularly cool trailer for DJ tools (video), for the Eclectic Breaks Pro X Fade (via … (3) Matmos talks to the camera for 40 minutes, including snippets of live performances, about teaching snails to play the theremin, swapping out a balloon for cow’s uterus and more (, in advance of the April 2006 release of The Rose Has Teeth in the Mouth of a Beast. … (4) The publisher Continuum has announced (at the next 21 volumes in its 33 1/3 series of small books devoted to individual albums, among them Nine Inch NailsPretty Hate Machine (by Daphne Carr) and Brian Eno‘s Another Green World (by Geeta Dayal). Also listed, 20 Jazz Funk Greats (presumably the Throbbing Gristle album) by Matmos member Drew Daniel (via … (5) The retailer announced in a January 23 press release that its sales would now be included in the Nielsen SoundScan ratings. EMusic has in its catalog a much wider array of electronic-oriented record labels than does Apple’s iTunes Music Store. … (6) “Weird Noises That Blossom Into Symphonies,” from the occasional Circuits section in the New York Times, on new fangled instruments, including the tenori-on, by Toshio Iwai. Also mentioned: Perry R. Cook, who apparently created a MIDI controller for, of all people, trad jazz man Wynton Marsalis; Don Buchla and Shawn Greenlee ( … From (7) musical uses for a castoff tool from a video game (link), and (8) a newfangled instrument puts on airs (link).

… Score Keeper: (1) Interview with Alexandre Desplat (, Syriana score composer: “Also, almost all of the string patterns are doubled by synthesized electronic sounds that blur the strings. The concept was to blend all the sounds, so that no single sound would be too clear or defined.” … has (2) John Powell attached to Watchmen, the third X-Men and the next Bourne Identity movie (he’s done the first two in that series) and (3) Jeff Rona attached to Hellion and a TV series called Brotherhood.

… Select New Releases: These new release lists are less than useful, given the broad range of music released each week. Still, it’s a look at what’s imminent. Names of labels and artists link to webpages, where available and, of course, known. … (1) Coldcut‘s Sound Mirrors (Ninja Tune), with guests John Matthias, Roots Manuva, Annette Peacock, Robert Owens, Andrew (Fog) Broder and others. … (2) DJ Cam‘s Revisited By…, with remixes by DJ Premier, Thievery Corporation and others (Recall).

… Disquiet Heavy Rotation: (1) Pierre Bastien‘s Pop (Rephlex) will find a home in the collection of anyone who prizes the rickety sang-froid of Kid Koala’s turntablism or of Benoit Charest’s music for the film Les Triplettes de Belleville. Like both those gentlemen, Bastien uses humble materials to produce music that suggests Europe at its most elegantly dilapidated, but in place of Koala’s dusty vinyl and Charest’s musical kitchen appliances, Bastien has crafted his own small orchestra of makeshift instruments. His inventions take on a life of their own. Just listen to the muffled, slack-jaw howls that punctuate “Pep.” It’s the sort of sound that keeps you up nights. … (2) Producer DJ Muggs (Cypress Hill, House of Pain) and rapper GZA team up, or face off, on the recent Grandmasters, and a 12″ captures two GZA-free slices of Muggs’ background hip-hop, both laced with electric guitar. The A-side, “All in Together Now,” is a bare-boned layering of beats, with a touch of late-1980s rhythms that sound a bit out of place amid the track’s digital clarity. The keeper is the richer B-side, “General Principals,” on which a sad-toned guitar part suggests a hip-hop Ennio Morricone. … (3) Disquiet Downstream entry of the week: two sound-collage MP3s from Tyondai Braxton, of the rising math-punk supergroup Battles (link).

… Quote of the Week: From the short story “Details,” in China Mieville‘s collection Looking for Jake, published last year: “As if the notes of all the different noises in the house fell into a chance meeting, and sounded like more than dissonance. The shuts and bangs and cries of fear combined in a sudden audible illusion like another presence.”

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

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    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
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    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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