New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Tangents (Beethoven, radio, PKD)

Quick Links, News and Good Reads: (1) Excellent interview with soundtrack composer Ennio Morricone, ever cantankerous and reticent to share (guardian.co.uk), though he does take the time to (advisedly) criticize Hollywood’s distinction between composing and arranging: “In the history of music, composition is instrumentation.” … (2) A review of a solo show by William Anastasi at Bjorn Ressle Fine Art in Manhattan, including a “2005 version of his “Beethoven’s Fifth Symphony,” originally done in 1965 using a Bruno Walter audiotape, now uses a videotape of a performance conducted by Herbert von Karajan, unrolled from its reel and hung on the wall so that gravity determines its snarled drape” (nytimes.com), through July 31. … (3) David Stubbs on Resonance FM (guardian.co.uk), whose dominance as a web outpost for avant sound belies the fact that it reportedly has about 100,000 listeners to its London signal, 104.4FM (resonancefm.com). … (4) Bill Fontana has mic’d the Millennium Bridge in London for a Tate Modern sound-art piece (nytimes.com): “My art involves focusing on something from the real world and delineating its musical structure.”

(5) In the June 4 edition of the New York Times Sunday Magazine, a story called “Unhappy Hour” described a scenario in which a jukebox at “an amiable dive bar” in New York played Brian Eno‘s Thursday Afternoon, much to the author’s consternation, and that of her boyfriend (nytimes.com). And (6) two weeks later, a letter to the magazine noted, “In that setting, Bach‘s ‘Goldberg’ Variations would have evoked a similar response.” … (7) Interview with Matthew Herbert on the occasion of his new album, Scale. Where did the name of his website, magicandaccident.com, come from? “It’s Don DeLillo, from Underworld” (pitchforkmedia.com). … (8) Steve Reich will be back at the Whitney Museum in Manhattan for a series of events this coming October. Reich’s music was part of the Anti-Illusion show there in 1969, curated by Marcia Tucker, who referred to his work as “extended-time pieces” (whitney.org).

Four sound-art links via the great e-flux mailing list (e-flux.com): (9) The Brighton Photo Biennial, running through October 2006, includes a “sound installation” of Orson WellesWar of the Worlds, curated by David A. Bailey in collaboration with Gilane Tawadros (bpb.org.uk). … (10) The art-venue-as-website radiogallery.org promises to present a dozen experimental audio recordings over the course of the next three months at a rate of one per week, curated by Anna Colin. Participants include: Abake, Thibaut de Ruyter, Raimundas Malasauskas, Dirk Fleischmann, Nav Haq with Tirdad Zolghadr, Loris Greaud with Karl Holmqvist, Jeremy Deller with Alex Farquharson, Olivia Plender, Matthieu Laurette, Sinisa Mitrovic with Susan Philipsz, Ryan Gander with Francesco Manacorda, Konst2 with International Festival, and Steve Webber. … (11) Among the pieces in the exhibit Nothing at the Schirn Kunsthalle in Frankfurt, Germany, is “Work No. 401” (2005) by Martin Creed: “consisting of a small loudspeaker with a sound loop that makes a lapidary ‘pfft’ sound only. The sound was produced by the artist himself as an act of acoustic self-renunciation” (schirn.de), through October 1. … (12) Among the participants in New Works: 06.2 at Artpace in San Antonio, Texas, curated by Yuko Hasegawa, is Luz María Sanchez, whose works “isolate and amplify politically charged frequencies such as Arab radio broadcasts and the U.S./Mexico border soundscape” (artpace.org), through September 10.

(13) R.I.P., Syd Barrett (1946 – 2006), of the first Pink Floyd lineup, one of psychededelic rock’s founding fathers, and certainly one of its most tragic Icaruses (villagevoice.com, nytimes.com, guardian.co.uk).

… YouTube Treats: After last week’s Disquiet Tangents included video found on youtube.com of Brian Eno talking about Can and of Robert Fripp performing live, a reader wrote in, “wow i thought mostly youtube was about guys lighting their farts and car ads.” … Here’s some more youtube.com goodness: (1) Steve Reich‘s Eight Lines (four minutes) with dance performance (youtube.com). … (2) A really funky little segment of Matmos live at Festival Villette Sonique in Paris (seven minutes). The brief vocal isn’t entirely “workplace safe,” as they say, but it is in English (youtube.com). … (3) James Tenney‘s Swell Piece Number 2 serves as the score to 10 minutes of footage of people silk-screening mail art (youtube.com). … (4) Good news: six-plus-minute interview with French musician and instrument-inventor Pierre Bastien. Bad news: no English subtitles (youtube.com). … (5) Alvin Lucier‘s “Music for Solo Performer,” which involves attaching electrodes to said soloist (four and a half minutes). In this case, the performer is Andrew Brouse. The brief note for the video states: “This interpretation was done directly from the poetic score, never having heard or seen the original music performance” (youtube.com). Thanks to youtube.com, apparently that won’t be much of an issue from now on.

… Heavy Rotation: (1) Graham Reynolds and the Golden Arm Trio outdo themselves with scene-insinuating backdrops and helter skelter mania for the new flick A Scanner Darkly. The CD lacks the four Radiohead-related tracks that play in the movie, directed by Richard Linklater, including “Black Swan” from The Eraser (Radiohead singer Thom Yorke‘s new, Aphex-ish solo outing) and the Four Tet remix of “Skttrbrain,” but it has got bits by DJ Spooky and Jack Dangers (aka Meat Beat Manifesto). … (2) Robert Curgenven‘s recent album, Cichaczem (released late last year on the Privatelektro label), takes its name from the Polish term for “something done quietly or as a surprise.” Its three tracks are absolutely beautiful distillations of sound, mixing the familiar textures of field recordings, including falling snow and the period after a thunderstorm, with hyper-sensitive recordings of a grand piano that suggest the open spaces only alluded to by most synthesizers. … (3) Timbaland‘s production on the new Nelly Furtado album, Loose, is far from perfect. “Maneater” has a beat better suited to one of the Neptunes’ rock outings and little more to its credit, but the instrumental version of “Promiscuous,” aside from some uncharacteristically unsubtle synth-keyboard overlays, displays plenty of Timbaland’s penchant for modal melodies and disarmingly hard-to-snap digital percussion. … (4) This week’s key Disquiet Downstream entry is Scanner‘s participation in the Tate Modern’s tribute to John Cage‘s Musicircus (link).

… Score Keeper: All updates via imdb.com: (1) The duo tomandandy are on The Koi Keeper by Dogma-certified director Michael Sorenson. … (2) Tyler Bates is again with Rob Zombie, on the metal-auteur’s remake of Halloween. … (3) Kent Sparling is on Bonneville as sound designer. … (4) BT seems suited to the surveillance-themed Look. … (5) Raz Mesinai is attached to The Saint of Avenue B and The Projectionist.

… Quote of the Week: So much for microsound. “Acclaimed by the Police forces of many areas of the United Kingdom, the Mosquito ultrasonic teenage deterrent has been described as ‘the most effective tool in our fight against anti social behaviour'” (from promotional materials for the widely reported teen-averting, cornerstore-protection device, at compoundsecurity.co.uk).

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0555 / A Simple Timer / The Assignment: Simplify by a factor of 5.
    0554 / Cage Chord / The Assignment: Riff on a chord by John Cage.
    0553 / Break That Cycle / The Assignment: Record in a steady tempo but break it on occasion.
    0552 / The Radio in My Life / The Assignment: Record music in response to a John Cage and Morton Feldman conversation.
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