New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

tangents (Ballard, netlabels, DS …)

News, Quick Links, Good Reads: (1) Generative music-maker Kenneth Kirschner is the subject of a new interview up at “[Q:] Your music is electronically processed to a large extent. Why then, are you still interested in the piano as a basis? [A:] I think piano is often for me the clearest and most direct way to get across a harmonic or emotional idea.” … (2) Interview with Cousin Silas on his two albums of music inspired by J.G. Ballard, Ballard Landscapes and Ballard Landscapes 2: “I’ve never really considered Ballard or [Brian] Eno as thinkers. To me one writes incredibly atmospheric music, the other writes incredibly atmospheric fiction” (, via … (3) Paul Simon talks about his work with Brian Eno and Philip Glass on one of the 26 tracks in the new “iTunes Originals” collection, a mix of new recordings, spoken reminiscences and classic tracks from Simon and from Simon and Garfunkel (

(4) The “audioTagger” project at lets you geocode a sound sample sent to the website via email from your cellphone (see image at left). The result is a map of the sounds, sorted by city. … (5) There’s a promising “coming soon” message at the website, which the originating organization,, says will host audio and video from its past festivals. … (6) Other Music, the great Manhattan record store, has added a blog to complement its (DRM-free) online store. This link goes to a breakdown of its store’s various features: (7) The Wire, the excellent British music magazine, has relaunched its website:

(8) The netlabel Surreal Madrid ( has, after 15 freely downloadable releases, put out a proper 12″, Kill the Headliners!!!, with music by Floex, MMtm, Karaoke Tundra, Zavoloka and Luke Warm. … (9) And the great Lisbon-based netlabel Test Tube has collected its first 75 releases on one DVD-R ( That’s over 400 songs and over40 hours of music. … (10) The netlabel Dark Winter has an open call (through December 15) for holiday-themed music, specifically “dark ambient holiday tracks” ( … (11) Peter Rojas, founder of, has launched “a network of ad-supported online record labels and blogs offering completely free music streams and downloads from emerging and established artists”:

(12) A program called DScratch ( is “a little audio manipulation software running on [the Nintendo] DS which ables you to play with an existing .wav file or recorded audio sample; you can pitch it, scratch it, rewind, mute and apply effects on it. Moreover, DScratch sends MIDI through wifi connection, which ables you to control external applications, like VJing software as I do, and can be motion-controlled.” The image to the left is a screenshot of a demo video up on ( … (13) A homemade gramophone, built from LEGO Mindstorms (, via and … (14) Another sonic weapon, the Police Rumbler (

(15) New Yorker music critic Alex Ross has posted brief soundclips for a selection of musical works mentioned in his recent book, The Rest Is Noise ( … (16) The Internet radio service has added classical music to its repertoire (, … (17) Another entry in the blog’s occasional “Who Flipped It Best?” feature, which compares various rap productions that utilize the same sample. The raw material this time? “Nautilus” by fusion figure Bob James. The end results? Tracks from Lord Shafiyq (“My Mic Is On Fire,” 1987), Main Source (“Live at the BBQ,” produced by Large Professor, 1991) and Ghostface Killah (“Daytona 500,” produced by RZA, 1996).

(18) On his blog earlier this month, writer William Gibson posted a photo of some seals by the shore and wrote, simply, “In their mating season, they sound like motorcycles” (

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of
    December 28, 2021: This day marks the 10th anniversary of the Instagr/am/bient compilation.
    January 6, 2021: This day marks the 10th anniversary of the start of the Disquiet Junto music community.

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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • Ongoing
    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm:

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

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