New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

tangents / Reich, Doraemon, Electroplankton …

Quick News, Links, Bits, Reads: The avant-garde rises to the surface in Internet sales of classical music, reports Justin Davidson, guest-blogging for Alex Ross at He’s discussing the charts at

No. 2 is Gavin BryarsThe Sinking of the Titanic, a minimalist portrayal of slow-motion calamity that caused one Floridian subscriber’s spouse to ask: “What’s wrong with the player?”

The Washington Post’s Anne Midgette on a Steve Reich premier performed by the ensemble Eighth Blackbird (; thanks for the tip, Mike):

Six musicians are playing a duet with recorded versions of themselves. It is like looking into an electronic mirror. The mirror refracts the rapid, driving beat of piano and marimba; it adds a reflected gleam to long-held chords of strings and winds.

A massive controller for the software Ableton ( — via, … An anthology of homemade cassettes (from the great radio station, via Rob Walker‘s‘s links). … The blog on an Ikue Mori performance to films by Maya Deren: “Yet, as my technologically inclined friend commented afterward, ‘it’s endearing when performers make mistakes, but not when the techs do.'” … The great on how Francis Bacon foresaw the recording studio back in 1626, as quoted in a recent history of the BBC Radiophonic Workshop by Steve Marshall (at
We have also sound-houses, where we practise and demonstrate all sounds, and their generation. We have harmonies which you have note, of quarter-sounds, and less slides of sound. Divers instruments of music likewise to you unknown, some sweeter than any you have…
At, Alyssa Timin on new graphic notation in scores. The image below, one of several in Timin’s article, is by Stephen Vitiello:
Still, why does experimental notation seem to be making a comeback? What happened after composers of the 1960s made notation an object of radical investigation? In recent years, computer notation software programs such as Finale and Sibelius have made standard notation more convenient than ever, further marginalizing the possibility of more experimental approaches. While computer notation programs are ubiquitous among composers these days, there has also been a backlash of composers who treasure the handwritten manuscript and remain resistant to the depersonalization of digitally manufactured scores. At the same time, the most sophisticated computer notation programs now contain the ability to accept symbols entered by a user, and the most techno-savvy composers now have the tools to create their own programs.

The first MP3 celebrated its 10th birthday this month ( … Christian Maclay supplied the music for choreographer Jonah Bokaer‘s “The Invention of Minus One,” which was performed in Manhattan at the Henry Street Settlement’s Abrons Arts Center from March 12-16 ( … Peter Kirn of is hosting a “Futuristic Music Design Challenge” at the upcoming event; deadline April 7. … The Netaudio conference will take place in London from October 22 – 25 ( … Entries for the Giga-Hertz Award 2008, its second year, for electronic music are due April 19 (via and the Leonor Hirsch Award has been created to support “electro-acoustic music and video” (also via …

Jean Michelle Jarre talks with the London Telegraph (

All those ethereal string sounds on Oxygene IV come from the VCS3 … It was the first European synthesizer, made in England by a guy called Peter Zinoviev. I got one of the first ones. I had to go to London in 1967 to get it, and it’s the one I still have onstage 40 years later.
In the (London) Sunday Times of March 2 (, Jeremy Clarkson on the noise pollution of everyday life:
We are constantly being told that light pollution is ruining life for astronomers, that patio heaters are killing polar bears and that your carrier bags will one day choke a turtle. But I don’t give a fig about aquatic tortoises or astronomy. All I want is a bit of peace and quiet.
Speaking of sound and pollution, the following option popped up when I purchased a ticket to see Cluster in an upcoming show in San Francisco:
Yes, please add $2.35 USD to my order to help green my experience. This equates to 1 green ticket(s) @ $2.35 each which offsets approximately 348 lbs. of CO2.
Audio-Games: The Loop Machine for the Wii had achieved version 2.o status ( … Apparently that Korg synth port to the Nintendo DS will be released worldwide, not just in Japan (via … Cool, Doraemon-themed, glove-music toy in Japan (, via and numerous friends). The five fingers each have a sensor that triggers a note on the scale when pressed, and to complete the octave there are three more buttons on the wrist band. … An NES game cartridge doubles as a harmonica — that is, as a “harmonesica” ( … Guitar Grip coming to the Nintendo DS ( … Online, user-created FAQ for Electroplankton: … And there is a stage for Electroplankton in the new Wii video game Super Smash Bros. Brawl, alongside stages for Pokémon, Mario, Wario, Yoshi’s Island and other favorites. Image below from the coverage at Video at Additional coverage at,, and the game’s official home page,

Score Keeper, News on Quiet, Minimal and Otherwise Atmospheric Music on the Big and Small Screens: Pop-techno figure Paul Oakenfold scores the new Bourne Conspiracy game ( … Yes, the score for the romantic comedy Definitely, Maybe was by the same Clint Mansell who scored Requiem for a Dream, The Fountain, Abandon, World Traveler and Pi ( … Director Anthony Minghella (January 6, 1954 ”“ March 18, 2008) passed away ( Minghella’s movies showed special attention to their scores, featuring excellent work by Gustavo Santaolalla (Cold Mountain), Underworld (Breaking and Entering) and Gabriel Yared, his most frequent collaborator (The Talented Mr. Ripley, and collaboration on B&E with Underworld). … Also passing this month, composer Leonard Rosenman (September 7, 1924 ”“ March 4, 2008; Fantastic Voyage, Barry Lyndon), who helped bring atonalism to film scores (

Grey Market: The excellent hip-hop MP3 blog posted audio of two classic instrumental tracks, Run-DMC‘s “Peter Piper” (MP3) and Original Concept‘s “Knowledge Me” (MP3), the latter produced by the “other” Doctor Dré, not the N.W.A member but the MTV VJ.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly ( at Gray Area (
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0544 / Feedback Loop / The Assignment: Share music-in-progress for input from others.
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    0542 / 2600 Club / The Assignment: Make some phreaking music.
    0541 / 10BPM Techno / The Assignment: Make some snail-paced beats.
    0540 / 5ive 4our / The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond.

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