Tangents: Hawtin’s Twitter, Paik’s Stuff, Doctorow’s Geek …

Recommended reading, news, and so forth elsewhere:

Twittering from the DJ Booth (beatportal.com): Trainspotting DJ sets just got easier, thanks to DJ Richie Hawtin, whose laptop sends to his Twitter account (twitter.com/rhawtin) the name of the track he's spinning live at a given moment. Was Hawtin doing this when I saw him in December in Tokyo (disquiet.com)? "The Twitter app is so advanced,” reports Beatport, “that it inspired Native Instruments to add the functionality themselves to version 1.2 of Traktor Pro which will be released as a free update." So, howzabout a way for his Twitter to trigger Last.fm, to play an approximation of his set anywhere — live, or after the fact? There's something comforting and surreal about watching the set list appear in real time. As of this writing, Hawtin appears to have closed his May 2 set with an Alva Noto track off his new Xerrox Vol.2 album. (Via bytesizemusic.net, and numerous other places.) Brings to mind a mention at murketing.com about conductors tweeting from the stand, to which I added a comment (murketing.com).

Nam June Paik Archive Goes to the Smithsonian (nytimes.com): The collected papers and objects (including "black-and-white television sets and 1960s record players; early video projectors and decades-old Polaroid cameras — things that were long ago relegated to the electronic graveyard") of multimedia artist Nam June Paik will land at the Smithsonian Institution, "'This will give scholars and a new generation of artists the tangible sense of the artist’s hand in transforming video and television into an artist’s medium,' said John G. Hanhardt, consulting senior curator for film and media arts at the museum." (Did the Washington Post not cover this? A search on the website of the Smithsonian’s hometown newspaper seems to come up null.)

Cory Doctorow Defines "Geeky" (locusmag.com): One of the best descriptions of "geeky": "geeky inasmuch as it probably costs me as much effort as it saves me, inasmuch as it delights me, and inasmuch as it points the way to civilian applications that someone else might want to develop into products that the less geekified may enjoy." That's from the May 9 column ("Extreme Geek") for the magazine Locus by writer, copyleft proponent, and BoingBoing co-founder Cory Doctorow.

The Sheet Music for ‘In C’ by Terry Riley (imslp.org): Just one example of the sheet-music files available at this excellent resource, the IMSLP / Petrucci Music Library. From Terry Riley's instructions, as reproduced in the PDF: "Instruments can be amplified if desired. Electronic keyboards are welcome also."

More online resources at disquiet.com/elsewhere.

Image of the Week: La Monte Young, Forever

That’s La Monte Young front and center in this May 4 photo from the American Music Center’s Annual Membership Meeting and Awards Ceremony. Young, along with Gunther Schuller (to his immediate left), as well as Albany Records and the New World Symphony, was honored for his work.

More at newmusicbox.org. (From left, the photo shows AMC CEO Joanne Hubbard Cossa, AMC Chairman Steven Stucky, Peter Kermani from Albany Records, Young, Schuller, Susan Bush from Albany Records, and AMC President Ed Yim. The photo is credited to Matthew Bologna.)

Tangents: Arduino, Joy Division, Sound Art…

Recommended reading, news, and so forth elsewhere:

Interview with Massimo Banzi, Inventor of the Arduino (digicult.it): The Arduino is a small, programmable gadget (pictured below) that's fueling a host of art-tech projects. Says its inventor, Massimo Banzi, in this interview: "We are still exploring the world of open-source hardware, which is quite a virgin field. The examples of open-source hardware are quite rare and definitely not widespread among the mass." Arduino home page at: arduino.cc. (Via twitter.com/usoproject.)

Peter Saville / Unknown Pleasures Visualizer (mrdoob.com): A browser-based visualizer produces a real-time image of Peter Saville's famous cover to the Joy Division album Unknown Pleaures (image detail below), triggered by audio from the album. It keeps running even after the song ends. For related reading, Touch Records director Jon Wozencroft wrote about the cover and its cultural context back in 2007 at tate.org. All in all, further evidence that each generation realizes the metaphors of its predecessors. (Via twitter.com/compactrobot.)

SoundWalk 2009 Applications Due July 1 (soundwalk.org): The annual Long Beach SoundWalk exhibit of sound art will occur on October 3, 2009. Applications for submissions are due by July 1. Check out soundwalk.org for details.

More on New Langton ‘Art of the Score’ Exhibit (sfgate.com): Kenneth Baker, back in February, on the avant-garde score exhibit at New Langton: "a timely — and much more visually compelling — follow-up to the recent 'The Art of Participation,' the San Francisco Museum of Modern Art's survey of late 20th century and contemporary art that asks for direct viewer engagement."

More online resources at disquiet.com/elsewhere.

Quote of the Week: Harold’s End

The composer and critic Kyle Gann finished transcribing Children of the Hill, a 1982 solo piano piece by Harold Budd. Gann sent the score to Budd, and Budd wrote back:

    I couldn’t play that in a thousand years!

More by Gann on the intellectual pleasures (and cultural politics) of transcribing improvisation at artsjournal.com.

Single Solo Polyfuse MP3

The self-released One Quiet Moment by Polyfuse (aka Justin McGrath) begins as a tenuous, ever so slowly throbbing sine wave. The sound is about as thick as your arm and long enough to wrap around a tractor trailer several times. Over time, just about 18 minutes in all, it moves from frazzled FM noise with an underlying pulse, to humorously oscillating fuzz, to fritzy layers of extrapolated sound aura, to deep bottom-scraping loads of undulation (MP3).

[audio:http://www.polyfuse.net/releases/oqm/1.mp3|titles=”One Quiet Moment”|artists=Polyfuse]

The individual segments are intoxicating, and the real pleasure is in hearing the way the transitions are made. More info at polyfuse.net.