Moran x (James + Dobson) =

Oh, "Superhuman"

Kelly Moran tapped the great Loraine James and her percussionist colleague Fyn Dobson to do a remix of the track “Superhuman,” off Moran’s recent album, Moves in the Field. The title of the track references how Moran’s instrument on the recording is a Yamaha Disklavier, a tool that allows her to compose and perform music that would be, in effect, impossible for an unaided human to accomplish on their own. In the able hands of James and Dobson, the source material is muffled, its intricacies heard as if through glass, and that sonic shape is improvised upon with drums and synthesized tones, individual bits of the piano occasionally peeking out.

And here’s the original track for comparison’s sake:

A WFMU Tribute to Steve Roden

With Daniel Blumin, Stephen Vitiello, and Michael Raphael

WFMU ran a tribute to the late Steve Roden on October 14, 2024. Roden died in September 2023, and for this show, its host, Daniel Blumin, played tracks selected with Stephen Vitiello and Michael Raphael, and he interviewed them, and the show also includes interview segments featuring Roden himself. I was excited to see here the recording “Sandy,” which Roden and Vitiello collaborated on for the 44th Disquiet Junto project, way back in November 2012, following Hurricane Sandy’s assault on the East Coast. The project, and this track, utilized field recordings made by Raphael. The WFMU show opens with a recording of Roden singing as a child, and includes numerous pieces of his own work, plus 7” records from his personal collection. Roden was an instigator of what came to be called “lowercase” sound, music that emphasizes small noises and quiet gestures. He was also a visual artist, and a collector, and a wonderful human being, whom I got to spend time with over the years. This broadcast is a great introduction to Roden and his music and the way he thought about and worked with sound.

Check out the archived WFMU show at wfmu.org. More on the Disquiet Junto project that led to the track “Sandy” here at disquiet.com. Far as I can tell, the first mention of Roden on my site was back on October 29, 2000, a year and a couple weeks shy of a quarter century ago.

Refresher Course Set 6: Reviews, Best of 1999

A methodical pass through the Disquiet.com archives

I continue my light edit pass through the 7,500+ posts that have accumulated on this website since I founded it at the end of December 1996. This set of 20 posts — I’m working through them chronologically — are mostly album reviews, including several favorites from this period of time (1999-2000): Breakbeat Era’s debut, Gavin BryarsCadman Requiem, Jake Mandell’s Parallel Processes, Bernhard Günter’s Brown, Blue, Brown on Blue (For Mark Rothko), the great Raster-Noton 20′ – 2000 series (which I mentioned here in standalone not once but twice), Mouse on MarsNiun Niggung, μ -Ziq’s Royal Astronomy, plus Spring Heel Jack, Nobukazu Takemura, Matmos, Twine, Steven (J.) Kane, Beastie Boys, DJ Spooky, DJ Krush, and Eulb, and the compilation Brassic Beats USA from the label Skint.

And a software mention that really takes me back, PCDJ (it’s still around: pcdj.com!), which I used to use to play MP3s on top of each other. Doubling up Philip Glass recordings was a fetish of mine around the turn of the millennium.

And my 10 favorite records of 1999, which included Underworld’s Beaucoup Fish, DJ Krush’s Kakusei (which was, along with Brian Eno’s Thursday Afternoon, a CD I always had with me when I traveled), and the Mille Plateaux label compilation Modulation & Transformation 4. There’s a tag (#years-best) that brings up my top 10s from over the several past decades.


Scratch Pad: Apostrophe, Allergy, Angel,

From the past week

I do this manually at the end of each week: collating most of the recent little comments I’ve made on social media, which I think of as my public scratch pad. I also find knowing I will revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I generally take weekends off social media.

▰ Truly odd. What seemed to be a car alarm on loop turned out to be from a bus stop. It had gone off accidentally. A call to 311 (San Francisco) led to a call to the police (non-emergency). The noise was sorted out quickly. Unlike (most) car alarms, this didn’t stop after a minute or so. Kept looping.

▰ The absence of an apostrophe in the title to this great 1997 David Holmes album always bugged me, but the apparent after-the-fact introduction of an apostrophe bugs me even more

▰ Love when my microphone during a call thinks my allergy-induced coughing is me trying to talk and alerts me to turn on my microphone

▰ This new Jeff Parker album is a reminder that when it comes to my favorite music, the whole is often seemingly less than the sum of its parts

▰ Insane heat. A few days of chill. Then the Blue Angels show up.

▰ The Blue Angles are back for more World War III pre-enactment, canine incitement, and remote-triggering of car alarms