Leafcutter John Dives Off the Deep End (MP3)

Hydrophones, simply put, allow for the recording of sounds underwater. As John Burton, aka Leafcutter John, puts it: “this is reason enough to worship and adore them.” In advance of a tour he’s doing on a canal boat (with Lisa Knapp), he’s been perfecting his underwater-recording gear, which in the case of his handy hydrophone involves putting heavily waterproofed contact mics inside a sturdy device. “I went out and bought a hot-glue-gun for this bit,” he writes of his Make-worthy activities, “and it was worth it.”

He’s provided four brief samples of his little water-music sports, including the “bathbomb” (MP3 — which, despite its thrilling name, is like a very close-up recording of rain), a brushed comb (MP3 — think of the world’s most tautly wound kalimba thumb piano), a rubber ducky (MP3 — all puckered up, and ready for cartoon activities), and “taps” (MP3 — by which he appears to mean not the military melody, but the spout out of which water flows). These four test recordings are each relatively short, so I’ve sewn them together here into one single listening experience:

[audio:http://leafcutterjohn.com/audio/bathbomb.mp3,http://leafcutterjohn.com/audio/comb.mp3,http://leafcutterjohn.com/audio/rubberduck.mp3,http://leafcutterjohn.com/audio/taps.mp3|titles=”bathbomb”,”comb”,”rubberduck”,”taps”|artists=Leafcutter John,Leafcutter John,Leafcutter John,Leafcutter John]

More on Burton/John and his hydrophonic experiments (with a full how-to on making your own hydrophone) at leafcutterjohn.com, and on his canal-tour partner, Lisa Knapp, at myspace.com/lisaknappmusic. Info on their tour, which began yesterday in London and continues through September 30, at guardian.co.uk.

Wonderfully Antiseptic Pop MP3 by Lusine

Why not start listening to Lusine‘s new album, A Certain Distance, at the end — the closing track, as it happens, is the one made available for free download by its estimable label, Ghostly, whose generosity was recently cemented with its free iPhone “discovery” app (see ghostly.com/discovery). That iPhone app allows users to stream the entire Ghostly catalog, as filtered by mood, tempo, and the relative space along a continuum from digital to analog. By those measures, the coordinates for “Cirrus,” the Lusine song in question, would be something like: an introspective mood, a relatively upbeat tempo, and about 90 percent digital, allowing for some computer-etched vocal elements toward the end. It’s a blippy bit of electronic instrumental pop, sounding a bit like one of David Byrne and Brian Eno’s recent collaborations, except that a lead vocal line never arrives. It’s a brittle but vibrant brand of antiseptic electronica, and pretty darn addictive.

[audio:http://static.ghostly.com/media/mp3/full/lusine-Cirrus_4463.mp3|titles=”Cirrus”|artists=Lusine]

More on the release at theghostlystore.com. Visit Lusine (aka Jeff McIlwain) at lusineweb.com.

Dubstep Remix MP3s (Dr. Octagon, Nas), Straight Outta Cleveland

There’s a slowly building cache of dubstep being uploaded by Kansdesign to his soundcloud.com/kansdesign base camp — or, make that bass camp. The beat-intensive work is heavy with clubby reference points, but that’s not to dismiss the stuff as mere late-night party fare. One listen to his feral remix of “Blue Flowers” by Dr. Octagon, in which the original’s doe-eyed violin line is interwoven with space-alien synth pounding, is enough (MP3) to make even the most nightlife-evasive listener an instant fan. Likewise his take on Nas’s “Made You Look,” which dispenses with the original’s sure-to-please-mom backing track, and jumps hard with gun-shot downbeats and a sound that’s so eviscerated you’d think nanbots had shredded his amplifier (MP3).

[audio:http://soundcloud.com/kansdesign/bluefolwersdubstep/download|titles=”BlueFolwersDubstep”|artists=Kansism] [audio:http://soundcloud.com/kansdesign/made-you-look-kans-edit/download
|titles=”Made You Look (kans edit)”|artists=Kansism]

Cleveland’s own Kansism (aka Allen Wagner) also makes his home at twitter.com/kansism.

Portuguese Journey Through Sonic Minutiae (MP3)

The artist Ziur‘s name suddenly isn’t so retro-futuristic when your realize it’s just the last name of the musician it masks flipped around. That would be Braga, Portugal-based André Ruiz, whose album Granular World was recently released on the XS netlabel (xsrecordsptnetlabel.blogspot.com). The album takes for its cover art an image from the first landing, 40 years back, of humans on the moon. The intended association is that Ziur, too, journeys to familiar yet exotic and distant places. That’s borne out by the seven tracks on Granular World, which investigates tiny sonic spaces with an intrepid spirit that suggests bravura even when the overall audio effect is infinitesimal. A key example is “Granular II,” a harrowing if Lilliputian journey amid cracking noise and deep echoes (MP3), and through the mournful melodic twists of “In to the Light,” in which a single, almost voice-like sound can be heard making its way through the a valley of droning tones (MP3).

[audio:http://www.archive.org/download/xs64Ziur-GranularWorld/02GranularIi.mp3|titles=”Granular II”|artists=Ziur] [audio:http://www.archive.org/download/xs64Ziur-GranularWorld/04InToTheLight.mp3|titles=”In to the Light”|artists=Ziur]

Get the full set at the XS Records home at archive.org. More on Ziur at myspace.com/ziurr.

Image of the Week: Kind of Bloop

The promotional art for the recent Kind of Bloop compilation, which resets the classic Miles Davis album as if it were a collection of 8-bit tunes for old arcade video games. The pixel-art rendition is credited to Andrew Duhan, who based it closely on the original cover photo by Jay Maisel, also reproduced below:

The emphasis on the shape of Davis’s head in the Duhan version seems to suggest that the head is bald, which makes the image look a little more like Louis Armstrong than it does Miles Davis at the time of Kind of Blue, which was released 50 years ago last month.

And just for further comparison, here’s a promotional image of hip-hop producer Timbaland, for the release of his music-making software Beaterator, which is coming soon to the PlayStation Portable, PlayStation Network, iPhone, and iPod Touch. If Kind of Bloop is music adopted to the style of video games, Beaterator is a promising example of music-making adopted to the style of video games — and it doesn’t hurt that Timbaland adopted the Blue Note-era suit and tie for the image:

More on the compilation at kindofbloop.com, where it is available as MP3s or massive FLAC files for a total of five dollars.

More on Beaterator at beaterator.rockstargames.com. It’s due out for the PlayStation on September 29, and for the Apple devices later this autumn.