Current Favorites: From Rhode Island, Oregon, and the Netherlands

Heavy rotation, lightly annotated

Last Sunday, on the verge of the new year, I listed [my favorite recordings of 2020](https://disquiet.com/2020/12/27/best-ambient-albums-2020/). This week it’s back to regularly scheduled programming, a weekly(ish) answer to the question “What have you been listening to lately?” It’s lightly annotated because I don’t like re-posting material without providing some context. I hope to write more about some of these in the future, but didn’t want to delay sharing them. (This weekly feature was previously titled Current Listens. The name’s been updated for clarity’s sake.)

▰ Tomorrow, January 4, is a lot of people’s first day back at work (remote or essential) of 2021, and “Ethereal Pathway” is the sort of music to help guide the return to salary mode. The glacial chords ease back and forth, drifting into and out of sync with each other, which is almost a metaphor. For some reason I can’t embed it here, but it’s at [soundcloud.com/roofhare](https://soundcloud.com/roofhare/ethereal-pathway). The track is by the Rhode Island-based musician Roofhare, aka Kees de Groot.

▰ [*Slow Sketch, Vol. 2: Reflections of the Ambient Community*](https://elmuellerecords.bandcamp.com/album/slow-sketch-vol-2-reflections-of-the-ambient-community) is a 36-track compilation from the Madrid-based EL Muelle Records label, with contributions from Taylor Deupree, r beny, Patricia Wolf, the duo of Stephen Vitiello and Ted Laderas, Corey Fuller, Yann Novak, Benoît Pioulard, and other favorites, many based in Portland, Oregon. (Proceeds benefit Fundación Aladina, which helps pediatric cancer patients.)

▰ Released at the tail end of 2020, [*Oh Ho!*](https://icporchestra.bandcamp.com/album/mary-oliver-rozemarie-heggen-oh-ho-icp-047-2009) is an exploration of alternately spectral beauty and something akin to conversational interplay by Mary Oliver (viola, violin) and Rozemarie Heggen (double bass). (Thanks, Mark Morse of Subterranean Distribution, for the recommendation.) It was put out by ICP Orchestra, based in Amsterdam.

twitter.com/disquiet: Doom, Cardin, Gingerbread

From the past week

I do this manually each week, collating the tweets I made at [twitter.com/disquiet](https://twitter.com/disquiet/) that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here.

▰ The final twist of 2020 was to, at the last minute, turn “doomscrolling” into a heartfelt communal activity celebrating Black artistry and hip-hop genius. [RIP, MF Doom](https://disquiet.com/2020/12/31/rip-mf-doom-1971-2020/).

▰ Coulda sworn when I bought Brian Eno’s score to the Dieter Rams film (by mail order) on vinyl on Record Store Day that it was only gonna be on vinyl, and only for a limited time (as they say on TV), but [now there’s a CD](https://www.enoshop.co.uk/product/ramscd) (my preferred format) due out.

▰ Pierre Cardin dies, and now I’ve got a 40-year-old song by Tom Waits in my head.

▰ Watched *WarGames* on New Year’s Eve. Didn’t recall it opens with Leo McGarry and Mr. Blonde as NORAD officers discussing pot horticulture, until they flub an ICBM test. I like to think McGarry went into politics, while Mr. Blonde washed out bitterly, then turned to violent crime.

▰ This morning’s early alarm clock (December 31): “A 3.6 magnitude earthquake occurred 4.35mi S of Muir Beach, CA.”

▰ Yesterday:
Whew, just one more day and 2020 is history. What could go wrong?

Today:

1. a pair of Bay Area earthquakes
2. MF Doom dead at age 49
3. ?

▰ Just a note about blogging habits: December 31, was the first time in 2020 that I looked at the Google Analytics for Disquiet.com.

▰ Confirmed my iPad’s face recognition doesn’t work when I have a gingerbread cookie dangling out of my mouth

▰ The green shoots of a new year are springing up. New Albion Records has announced that after a decade’s pause, [it is starting up again](https://twitter.com/newalbion/status/1345048000318603265). I’m ready for some Janice Giteck, Stuart Dempster, Ingram Marshall (*Fog Tropes*!) and so many other faves. New Albion was a huge part of my music education at the end of the previous millennium. (Found via [Will Robin](https://twitter.com/seatedovation/status/1345163622453010436).)

▰ I’m on MeWe if that’s of interest (searchable by name).

▰ My Snares? Venetian.
My Porcini? Funki.
My Blaze? Just.
My Boys? Beastie.
My Knoll? Grassy.
My City? Naked.
My World? Under.

▰ Honk if you’ve taken your Nintendo DS out of a box for the first time in years and it’s still charged.

▰ Ambient music needs more trombones.

Hideki Umezawa’s Heightened Reality

A master at work

Hideki Umezawa’s “Nine Structures,” heard here in what’s listed as an excerpt, is sound design as music, real-world and percussive samples twisted this way and that, pushed against each other, set in opposition and plumbed for their comparative elements. There is clanging and breath, street noise and desperate fragility, all often within a split second. Even when items take time to transpire, in retrospect that time was several seconds at most. Things speed up and slow down with a composer’s sense of considered timing. It’s reality in a heightened state, the care of its craft self-evident throughout, a serious display of mastery.

Track originally posted at [soundcloud.com/hideki-umezawa](https://soundcloud.com/hideki-umezawa/nine-structures-excerpt). More from Umezawa at [instagram.com/hdkumzw](https://www.instagram.com/hdkumzw/).

A Moment of Venn

Sight and sound meet in Nathan Ho's elegant web app Venn 7

The graphic displayed immediately below is, as we all know, a Venn diagram. Yes, yes, you’ve seen enough of these, either at work or in memes, but do give this one a moment, and see how it develops. In Venn terms, recognize first that it is referred to as a “3-Venn diagram,” each of its individual circles being a Venn:

Venn diagrams are named for John Venn, the British mathematician who developed them. Venn lived from 1834 to 1923. Venn diagrams often have two, three, or four circles, but they don’t end there. This next image, via Nathan Ho (as are all the images in this post), is a 5-Venn diagram, displayed in all its Spirographic glory:

When you witness the 5-Venn in contrast with the 3-Venn, you might think, “Oh, I see. So … what comes next?” Here we level up to the 7-Venn diagram, also via Ho. It’s … a little more complex, right?

The above 7-Venn diagram is credited to mathematician Branko Grünbaum. It’s “the first simple symmetric 7-Venn diagram,” per Ho, and dates from 1992. (Grünbaum died in 2018 at age 88, same round number as Venn.) The single digits in the outermost appendages are keys to decoding which of the 7 Venns comprise each of the interior intersections: “14” is the intersection of 1 and 4; “1457” the intersection of 1, 4, 5, and 7; and so on.

When we look at Grünbaum’s incredible image, we might think: starfish, or amoeba, or nebula, or I missed the latest episode of *Star Trek: Discovery*. But when Ho looks at it, what apparently came to mind was: 7 Venns = 7 notes. Actually, it was Ho’s friend, Nathan Turczan. Turczan pointed out to Ho “that the curves of a 7-fold Venn diagram can be mapped to a diatonic scale.” Ho went with that, making a web app that let’s you play chords by clicking overlapping regions, resulting in this beauty, which resembles a piece of op art:

Here, for example, is what it looks like when three notes constituting a simple chord are played, as identified by a shade depicting three overlapping Venns out of the total seven:

Nathan Ho’s web app is called, simply, Venn 7. It’s super cool. Check it out at [nathan.ho.name/venn7](http://nathan.ho.name/venn7). Click the arrows on the interface to experience different sounds (and colors), and the “?” to learn more about Ho’s development of the idea (that’s the document from which the above images are selected). There’s a lot more to Ho’s Venn 7 than initially meets the eye and ear, in particular decisions he made to uses Shepard tones (those illusions of sound moving constantly up or down) for each layer of the diagrams.

RIP, MF Doom (1971-2020)

A 2014 comic I edited

Back in 2014, I edited a series of lightly animated comics for Red Bull Music Academy on the occasion of a big festival it was putting on in Japan. Among the pieces was one by writer Gabe Soria, illustrator Dean Haspiel, colorist Allen Passalaqua, and letterer Vito Delsante, guided by Todd Burns, then at Red Bull. The subject was MF Doom, the larger-than-life rapper whose death was reported today. Here’s the comic, minus the animation:

Here’s a little more background on the comic: [“MF Doom + DJ Krush + Comics + Manga”](https://disquiet.com/2014/11/03/red-bull-music-academy-tokyo-2014-comics-manga/), plus [bleedingcool.com](https://bleedingcool.com/comics/recent-updates/dean-haspiel-invokes-a-silver-age-comics-bio-for-emcee-mf-doom-at-red-bull-music-academy/) had some beautiful behind-the-scenes images of Haspiel working at the time.