The Experience of the DayA piece by Iowa City—based the AmbiguityFebruary 10, 2016 / By Marc Weidenbaum
A Moment of Reflective Calm Before All Hell Breaks LooseThis is "Melting Square" by Suss Müsik, with Marc ManningFebruary 7, 2016 / By Marc Weidenbaum
It’s Not a “Drone” in the Military SenseExcept to the extent that it sounds that wayFebruary 5, 2016 / By Marc Weidenbaum
When a Drone Seems More Traditionally Musical Than Other DronesWithout ever ceasing to be, you know, a droneFebruary 2, 2016 / By Marc Weidenbaum
“Moths Drink the Tears of Sleeping Birds”A string quartet by Anna HöstmanFebruary 1, 2016February 1, 2016 / By Marc Weidenbaum
When a Musical Composition Achieves the Undirected Manner of a Field RecordingFor example “Things That Stubbornly and Resiliently Subsist Without Leave" by Kate CarrJanuary 31, 2016 / By Marc Weidenbaum
A Nervous Itch in Darren Harper’s Blissed Out “The Yearning Loop”From the forthcoming Winter Loops ep.January 30, 2016January 31, 2016 / By Marc Weidenbaum
There’s a Thin Line Between Noise and AmbientBut what happens when you double down?January 29, 2016 / By Marc Weidenbaum
Musical Development That Occurs Over Repeated ListensIn "ATC4pm5nov2015" by New York—based John HudakJanuary 27, 2016January 27, 2016 / By Marc Weidenbaum