New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

twitter.com/disquiet: Museum Dreams, Lawnmower Jam, Atwood x Anderson

From the past week

I do this manually each week, collating tweets I made at twitter.com/disquiet, my public notebook. Some tweets pop up (in expanded form) on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud.

▰ Weirdest side effect of getting my first shot of the Moderna vaccine on Saturday morning was that for the rest of the weekend I found myself daydreaming being in various rooms at SFMOMA.

▰ Ooh, the upcoming Disquietude ambient music podcast episode will have its first entirely original piece of music (that is, first heard on the podcast).

▰ Lawnmower jam: Saxophonist Jeff Coffin (Dave Matthews, Bela Fleck) noticed his neighbor’s lawnmower was in A flat, so he decided to accompany her. (Thanks, Brian Biggs!)


▰ A trick to navigating the modern internet, one that’s even more addled with targeted ads than anything Neal Stephenson imagined when the ‘net was young, is to regularly search for a few things you already own and love. Then you’ll be inundated with reminders of them.

▰ I love this detail in this piece (nytimes.com) by writer Max Gao on the upcoming Kung Fu TV series: ubiquitous actor Tzi Ma has no children, despite having “played the father figure for a bevy of Hollywood talent” (e.g., in The Farewell, Meditation Park, and the live-action Mulan).

▰ “So, 1981. We had the radio on while cooking dinner, when an eerie sound came pulsating over the airwaves.” Because we’ve been good, we get Margaret Atwood writing about Laurie Anderson: theguardian.com. “Do you want to be a human being any more? Are you one now?”

▰ I’m pretty enamored of wind chimes. As I wrote about in my book on Selected Ambient Works Volume 2: If as Brian Eno has said, repetition is a form of change, then wind chimes can show that change is a form of repetition.

▰ The first track is up on the latest Disquiet Junto project and it includes the sentence “I added a phaser effect to the dishwasher track” and this is how I know I’ve found my people.

▰ RSS 4 Life

▰ It’s cool to have some new Twitter followers following yesterday’s lengthy thread about the benefits of blogging, and I should note for the record you’re now following someone who gets excited about: refrigerators humming, doorbells, silence, TV captions, hold music.

▰ OK, have a good weekend. Listen to some poetry. Read some TV. Seek out some birdsong (while masked). And if you’ve got time and interest, play a recording of wind chimes on a speaker and record how it interacts with your own environment: disquiet.com/0484. See ya Monday.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    December 13, 2021: This day marks the 25th anniversary of the founding of Disquiet.com.
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    July 28, 2021: This day marked the 500th consecutive weekly project in the Disquiet Junto music community.
    There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
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    The Disquiet Junto series of weekly communal music projects explore constraints as a springboard for creativity and productivity. There is a new project each Thursday afternoon (California time), and it is due the following Monday at 11:59pm: disquiet.com/junto.

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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  • 0511 / Freeze Tag / The Assignment: Consider freezing (and thawing) as a metaphor for music production.
    0510 / Cold Turkey / The Assignment: Record one last track with a piece of music equipment before passing it on.
    0509 / The Long Detail / The Assignment: Create a piece of music with moments from a preexisting track.
    0508 / Germane Shepard / The Assignment: Use the Shepard tone to create a piece of music.
    0507 / In DD's Key of C / The Assignment: Make music with 10 acoustic instrument samples all in a shared key.

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