Sketches of Sound 2: Warren Craghead III

This is the second occurrence of a new little project: inviting illustrators to sketch something sound-related. I’ll post the drawing as the background of my Twitter account, twitter.com/disquiet, and talk a bit about the illustrator back on Disquiet.com. Call it “curating Twitter.”

The above drawing was done for me by Warren Craghead III, an artist and curator who makes pictographic, nonlinear stories that can be encountered everywhere: a sticker on a pole, a booklet in a newspaper, a postcard in the mail, an image on a website, a collage in a gallery. He is constantly drawing and is increasingly obsessed with field recording and phonography.

He was one of the creators whose work I edited during my 10-year stint overseeing the comics at Pulse! magazine (full list: disquiet.com), where he also drew a phonograph.

More on and of Craghead at craghead.com, drawerdrawer.blogspot.com, twitter.com/wcraghead, and audioboo.fm/wwc.

(Last month’s entry was by Brian Biggs, and it ran from April 20 through May 17: disquiet.com.)

Despite the Downturn: New Track (#10) & More News

A new track — the tenth — has been added to the Disquiet.com compilation project Despite the Downturn: An Answer Album. This one is by Simon Lott and the ensemble Beta Collide, coordinated by Beta Collide member Brian McWhorter. It’s up now at archive.org, with additional information here: disquiet.com. This track, titled “That’s a Traum! [Brontosaurus],” is the third to be added to the album since its release — extensions that helpfully show how the idea of an “album” has become more fluid in the age of the Internet. It’s also just a great tune (MP3), complete with the compilation’s first proper horn section:

[audio:http://www.archive.org/download/DespiteTheDownturnAnAnswerAlbum/Despite-2010–10-Lott-Beta-Collide-Thats-A-Traum.mp3|titles=”That’s a Traum! (Brontosaurus)”|artists=Simon Lott and Beta Collide]

Despite the Downturn is the various-artists collection (housed at archive.org) that I put together in response to an article written by Megan McArdle in the May 2010 issue of The Atlantic (“The Freeloaders,”at theatlantic.com) about the current challenges facing the music industry. Each of the album’s tracks interprets the illustration that accompanied McArdle’s article as if it were a musical score. (A detail of the image, by the talented artist Jeremy Traum, appears at left as the “cover”of the album.) The other participating musicians are Sighup (Steve Hamann), C. Reider, Moldilox (Joseph Luster), Mark Rushton, NQ (Nils Quak), He Can Jog (Erik Schoster), Tom Moody, My Fun (Justin Hardison), and Jettatura (James Rotondi).

Continued coverage of the Downturn project this past week included:

The techdirt.com site does a more detailed, clause-at-a-time reading of the original story, and notes our Despite the Downstream project: “[T]he musicians recorded an album based on the notes. Is this ethically unmoored? Is this the result of ‘freeloaders’ creating less works? It doesn’t seem that way. ”

Alan Wexelblat (at copyfight.corante.com) gives the project a listen: “Ambient music is a take-it-or-leave-it proposition for me, but I really enjoyed playing the album while reading [the] thoughtful response. I encourage you to do the same.”

Even the Irish Times (at irishtimes.com) covered it: “Megan McArdle shakes a fist at file-sharers, while a bunch of musicians deliver their own riposte at her article in The Atlantic.”

And here are two solid responses to McArdle’s article that make no mention of Despite the Downturn but come from a similar perspective:

Ryan Chapman provides a corrective reading list at chapmanchapman.wordpress.com.

And Michael O’Hare at thesamefacts.com* notes: “What libertarians could usefully get exercised about in this area is the assaults on individual freedom that outrage Netanel and Lessig, not a bunch of kids who intuitively understand marginal cost pricing downloading their music.”

Here’s the previous post noting coverage of the project from flavorwire.com and weallmakemusic.com: disquiet.com.

And here’s the first coverage roundup, noting mentions in boingboing.net, artsjournal.com, and murketing.com: disquiet.com.

*Note: the site thesamefacts.com used to be samefacts.com, and I updated the URL of this link on June 14, 2024, after I was alerted to the change.

Pedal Steel Hybrid (MP3)

Now, pedal steel players are known for being — wait for the bad joke — slack, but it’s been nearly 10 full years since the estimable Bruce Kaphan released his remarkable solo debut album, Slider. As a member of the band American Music Club, he’d helped cement that group’s ethereal Northern California sound, and on his own he ventured deep into amber waves of slowly undulating audio. From advance description, his belated follow-up, titled Hybrid, due out June 1, is a denser, more varied affair, featuring a host of guest musicians. An initial track has been made available for preview, “Gleaming Towers,” which places his slow soloing above an even slower bass line, light drumming, and layers of atmospheric foundation, as it were (MP3).

[audio:http://www.pavementpr.com/1.mp3s/BRUCEKAPHANGleamingTowers.mp3|titles=”Gleaming Towers”|artists=Bruce Kaphan]

Kaphan knows well what he accomplished on Slider, and he warns fans of that album that the new Hybrid may seem less consistent, and therefore may not provide same experience of Slider, but judging by “Gleaming Towers,” it’ll certainly be worth checking out.

One thing that won’t surprise longtime Kaphan listeners is the thoughtfulness that he brings to his creations. Every track on the album is accompanied, on his website, by lengthy annotation, including “Gleaming Towers” (brucekaphan.com), whose genesis he explains in detail. He also directs readers to myspace.com/tbrucebowers, where Bruce Bowers, with whom he appears to have created “Gleaming Towers,” has his own version of the song (under the name “Harvest”).

More on the Hybrid at Kaphan’s website, brucekaphan.com.

Image of the Week: The Return of the Patch Cord

Screenshot of Circuit Synth, a modular synthesizer available for the iPhone (and iPod Touch) from developer Michael Daines:

How many technologies have gone the way of the patch cord — from essential tool (in this case meaning the field of analog synthesis) to extended near-obsolescence (with the rise of digital synthesis) to increasingly ubiquitous visual metaphor (from the graphic language of Max/MSP to the proliferating virtual synths, like Circuit Synth and the DS-10 cartridge on the Nintendo DS)?

More information at circuitsynth.com, and at creativeapplications.net (from which the above image is borrowed), and at the Apple app store (itunes.com/apps).

Past Week at Twitter.com/Disquiet

  • It's Brian Eno's birthday. He turns 62 today. Pulled a random Oblique Strategies card: "Accretion." #
  • Morning sounds in order: birdsong, comforter ruffling, floor creaking, hard drives whirring, heater clicking on, airplane overhead. #
  • Primer rising? Actual news story about a film that seems to in some way involve the elusive Shane Carruth: http://is.gd/c9IJi #
  • Guy Kyser & Roger Kunkel of Thin White Rope have reunited as a bluegrass band, Doc Holler. Hope they still cover Can's "Yoo Doo Right." #
  • Privacy aside, worst part of Facebok web insurgence may be that it's yet another thing to slow down web pages as they load. #
  • Two ice cubes in crackling in coffee. Very different meaning than the ice cubes just 11 hours ago. #
  • Two ice cubes in glass just succumbed to the whiskey's warmth and clinked like a tiny church bell. #
  • Neighbor's afternoon music: lulling bass throb thru 100-year-old walls. Mistaken for industrial activity; more likely industrial techno. #
  • The giant Zhang Huan sculpture has been unveiled near City Hall in SF. Better yet, a 14-year-old is playing electric guitar solo behind it. #
  • Evening sounds: kore (hard drives), sore (typing), are (airplane). #
  • Major thanks to @flavorpill & @maxwillens for the extended article on Atlantic-response album Despite the Downturn today: http://is.gd/c54It #
  • Thanks to @maxwillens for 2 interviews regarding the Atlantic-response album, Despite the Downturn: http://is.gd/c54Jc http://is.gd/c54LF #
  • First fog horns in a while, resounding from the bay. Imagining they'd taken an ocean voyage during the fog-free downtime that is spring. #
  • Hip-hop/comics continuity: figuring out where the inside cover of the Beastie Boys' debut fits into the Stark Expo chronology in Iron Man 2. #
  • Any word on who is doing the score for Anton Corbijn's The American? #
  • Maybe symphony orchestras should set aside a balcony section for people who know they can't stop looking at their "smart"phones. #
  • Sunday morning sounds: birds exhibiting extroversion, hard drives emerging from comas. #