This Week in Sound: The Daily Hum of Nearby Surroundings

A lightly annotated clipping service

[](https://thisweekinsound.substack.com)

These sound-studies highlights of the week originally appeared in the January 3, 2023, issue of the free Disquiet.com weekly email newsletter, [This Week in Sound](https://thisweekinsound.substack.com/).

▰ **RATTLE & ROLL:** All about a device that helps us experience “The Unheard Symphony of the Planet” — [read on nytimes.com via this gift link](https://www.nytimes.com/2023/01/03/arts/seismology-raspberry-shake-earth.html?unlocked_article_code=EhEaQiDDD9yyyna0liwVcj37mAzgCts77wCQAxldix5bg2tCftzBNrM23JXf0Syb5zPi90rx12oaaAgjaaoJ2VqmB1zSqJrsObBiETDPpyI_BOvHePSkT1KQdwjiODYfERp1I8_grk5ff1J2ZGYDduZU080tA7Y5m0ErDDYKvScFY15702VJb-bQXC16y9WE6HX4LdO8f0NCJ01oklrBhUdiJ4YuluqLSsc-jrUv9yGGW8bsSTWZPHs68AWlNGZKxT4YyJpcVd1522Hh890Hj_h7_IUDGK0yY6zvEugAKtzwKJtZt30NiJuFeGFdNMvBUaHEG70_2O24VOss1u-uz1jj0eoDpmA&smid=share-url) *(and thanks, Paolo Salvagione!)*.

“The Raspberry Shake — a small device that combines a cheap computer called a Raspberry Pi with a monitor that measures minuscule ground movements — has, since 2016, helped to make seismology more accessible to the public. Raspberry Shakes are less sophisticated than professional seismographs but a fraction of the cost, and around 1,600 of the devices are scattered around the planet, livestreaming their open access data online to form the largest, real-time seismic network in the world. The network of “Shakers,” as the community likes to call itself, is made up of hobbyists, professionals and educators, whose instruments pick up the seismic waves of earthquakes as well as the daily hum of their nearby surroundings.”

▰ **THE SPINAL TAP THEOREM:** “A team of researchers at the University of Manchester’s Centre for Audiology and Deafness, has found that [musicians tend to listen to music at louder volume than non-musicians](https://phys.org/news/2022-12-musicians-enjoy-louder-music-non-musicians.html).” *(Thanks, Glenn Sogge!)*

To 11 and Beyond! Research by Antonia Olivia Dolan, Emanuele Perugia and Karolina Kluk

▰ **JUST DESERTS:** Erik Davis [brings us up to speed](https://www.burningshore.com/p/sounding-off-and-on) on Kim Haines-Eitzen’s book *Sonorous Desert: What Deep Listening Taught Early Christian Monks — and What It Can Teach Us*:

“In this relatively brief and beautifully written volume, Haines-Eitzen interleaves a study of what McLuhan would call the “acoustic space” of early desert monasticism — whose promise of silence struggled with winds, canyon echos, beasts, and demonic noise — with the author’s own quest to both understand the yen for silence that seizes many of us today (including myself) and to record the sonic landscapes of the world’s deserts (with QR codes at the end of the chapters linking to her lovely recordings online).”

▰ **SPEAK NOT:** About that smart speaker your cousin gave your for the holidays — via researcher Matt Kunze:

“Once a hacker manages to connect their account to the Google Home speaker, [they get access to the smart devices in the victim’s home](https://www.androidpolice.com/google-home-speakers-vulnerable-eavesdropping-hackers/). The bad actor could operate switches, play music, turn on and off appliances, and more. A hacker can also initiate a phone call via the smart home speaker, making it possible to record everything happening in the victim’s home. While in a phone call, the smart speaker’s lights turn blue, but if the victim is someone who doesn’t use this feature or isn’t well versed with Google Home’s options, they might just assume the speaker is updating or otherwise busy.”

▰ **BACK UP:** Warren Ellis [ponders always-on “memory prosthetics,”](https://warrenellis.ltd/mc/i-should-probably-start-off-with-something-more-cheerful-but/) quoting [Matt Webb](https://interconnected.org/home/2022/12/14/transcription):

“Sooner or later, every single conversation I have will be recorded and transcribed and I’ll be able to look back at it later – details from a phone call with the bank, in the hardware store asking a question, someone mentions a book at the pub, an idea in a workshop. Ignoring the societal consequences for a sec lol ahem… how should the app to manage all that chatter work?”

▰ **QUICK NOTES: BOW FLEX:** The Musée Mécanique, here in San Francisco, where I live, has a thing called the [Mills Bow-Front Violano Virtuoso](https://www.npr.org/2023/01/03/1146782295/san-francisco-museum-unveils-a-century-old-device-that-plays-piano-and-violin-du), “a century-old self-playing device which performs duets on piano and violin.” *(Thanks, Rich Pettus!)* ▰ **WHAT’S SHAKIN’?:** All about [EarSpy](https://www.androidpolice.com/earspy-attack-eavesdrop-using-motion-sensors/), an experiment in using motion sensors to tap into mobile phone conversations. ▰ **WAX ON:** A device called the [Endpoint Cylinder and Dictabelt Machine](https://www.nytimes.com/2023/01/02/arts/music/new-york-public-library-wax-cylinders.html) has allowed fragile wax cylinders, over 100 years in age, to be digitized. *(Thanks, Brian Biggs!)* ▰ **BOSS LEVEL:** What is the [greatest ever sound effect](https://www.thegamer.com/players-debate-greatest-video-game-sound-effect/) from a video game? ▰ **DEVOTION COMMOTION:** Reportedly there is faith-based sonic warfare happening in the Indian state of Andhra Pradesh through [loud prayer](https://hindupost.in/featured/christian-neighbours-organise-prayer-meet-to-disturb-ayyappa-bhajan-in-andhra/). ▰ **LATEST BUZZ:** Perhaps the first instance of a [mysterious hum](https://www.leicestermercury.co.uk/news/local-news/residents-say-mysterious-nightly-humming-7980536) in 2023 has been reported in the town of Hinckley in Leicestershire, England.

Sound Ledger¹: Mumbai Edition

Audio culture by the numbers

100: Distance (in meters) from “schools, hospitals, courts and places of worship” within which loudspeakers are banned in Mumbai

16: Number of decibels reduced by the installation of a two-mile long fence along a highway

$12: Fee for drivers making too much noise on “No-Honking” day (1,000 rupees)

________
¹Footnotes

[bloomberg.com](https://www.bloomberg.com/news/articles/2023-01-03/mumbai-s-plan-to-curb-noise-pollution-no-honking-days-sound-barriers)

Novels Read, 2022

And looking ahead

I managed to finish reading 26 novels in 2022. Here they are in the order I read them. The ones with a + are particularly recommended.

1: +Fonda Lee: Jade Legacy
2: Olen Steinhauer: The Last Tourist
3: Geling Yan: The Secret Talker
4: Caleb Azumah Nelson: Open Water
5: +Sayaka Murata: Convenience Store Woman
6: Becky Chambers: The Long Way to a Small, Angry Planet
7: +Maggie O’Farrell: Hamnet
8: Becky Chambers: A Closed and Common Orbit
9: Julian Barnes: Flaubert’s Parrot
10: Sayaka Murata: Earthlings
11: Shion Miura: The Great Passage
12: John Scalzi: The Kaiju Preservation Society
13: Victor LaValle: The Ballad of Black Tom
14: Hervé Le Tellier: The Anomaly
15: Elvia Wilk: Oval
16: James S.A. Corey: Leviathan Falls
17: +Jennifer Egan: A Visit from the Goon Squad
18: Neal Stephenson: Quicksilver
19: +Peter Watts: Blindsight
20: Julian Barnes: The Sense of an Ending
21: +Hannu Rajaniemi: Summerland
22: Annalee Newitz: The Future of Another Timeline
23: Ed James: The Hope That Kills
24: Ed James: Worth Killing For
25: +Francis Spufford: Red Plenty
26: +Hernan Diaz: Trust

Looking ahead to 2023, currently I’m in the midst of:

1: Amor Towles: A Gentleman in Moscow
2: Carole Stivers: The Mother Code
3: Lauren Belfer: And After the Fire

On Repeat: Guðnadóttir, Frisell, Rathrobin, Rplktr, Colombo

Recent favorites

It’s the start of a new year, and I want to try to get back in the habit of posting quick mentions each Sunday of my favorite listening from the week prior:

Hildur Guðnadóttir already had committed some of the most remarkable film music of the year for *Tár*, Todd Field’s feature starring Cate Blanchett, and she’s followed it up with *Women Talking* (Deutsche Grammophon) Both scores veer dramatically from her often drone-based prior work (*Chernobyl*, *Joker*, *Sicario: Day of the Soldado*). *Women Talking*, in contrast, features a lot of staccato string work.

▰ If I had done a top favorites of 2022, guitarist Bill Frisell’s *Four*, his third album for the jazz label Blue Note, would have been on the list for sure. It teams him with Johnathan Blake on drums, Gerald Clayton on piano, and Greg Tardy on horns (saxophone, clarinet, bass clarinet). The key word is “team,” as this is a jazz album with essentially no solos; it’s all about constant interplay.

Beth Chesser and Pier Giorgio Storti collaborate as Rathrobin. Their album *Ear to the Ground* combines strings, voice, and unidentifiable textures, including field recordings, into a sometimes aggressive but often ruminative sonic spaces. It came out almost a year ago, at the end of January 2022, but I’ve only recently started listening to it.

Rplktr (aka Łukasz Langa) recorded half an hour using the Awake script, which comes as part of the Monome Norns musical instrument. It’s sparkling and lightly percussive. Just listen as the patterning unfolds.

▰ Embedding here won’t do it justice, so if you do use Instagram, check out Jorge Colombo’s ([instagram.com/jorgecolombo](https://www.instagram.com/jorgecolombo/)) — specifically the short films he posts. The “[NYC2](https://www.instagram.com/stories/highlights/17936737063578204/)” batch, for example, are black and white snippets, shot in cinematic horizontal mode — field recordings that evidence the keen eye and ear I’ve admired for decades.

This is a screenshot from Jorge Colombo's Instagram page, showing a train passing