New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

tag: science-fiction

twitter.com/disquiet: Slough, pentatonic, Stravinsky

From the past week

I do this manually each week, collating the tweets I made at twitter.com/disquiet (which I think of as my public notebook) that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here. Some tweets pop up on Disquiet.com sooner than I get around to collating them, so I leave them out of the weekly round-up. It’s usually personally informative to revisit the previous week of thinking out loud, especially these days, when a week can feel both like a year and like nothing whatsoever has happened or changed.

▰ Yes, I’m enjoying the new Mick Herron novel, Slough House (seventh in the Slow Horses series).

▰ Close-up of the speaker grate on the back of a battery-operated alarm clock. The speaker grate is 7 millimeters in diameter. (Insert grating joke here.)

▰ As someone who lived in New Orleans for four years, I appreciate that Mutable Instruments released a new module named Beads on Fat Tuesday.

▰ Today in guitar class pentatonic education. (Jeff Rona joked in reply: “A potentially great companion to my upcoming book ‘5 Things I Like About the Pentatonic Scale'”)

▰ Alternately alarmed and amused by (while also trying to focus on some still hazy metaphorical meaning to) the idea that it is mid-February 2021 and my phone claims to not recognize this word

▰ Nothing says “frictionless user experience” like a button that reads “Sign up with SAML SSO”

▰ 8:12am sounds: hour and a half in, the house still creaking as it warms; mechanical whir in the distance; interior echo of something a neighbor has dropped; white noise of cars passing in opposite directions (clearly one ignored the stop sign); hum of refrigerator two rooms away

▰ That moment when you’re using an online tool to sign something and the automated signature looks like Ralph Steadman scribbled it while under the weather

▰ “Random method generates the same numbers” is my kinda first thread to read on a music message board in the morning over coffee

▰ Today I learned that the modernist squiggle that’s always featured on the cover of the journal Perspectives of New Music was a scribble by Igor Stravinsky. (And they all look like Alexander Girard sketches to me.)

▰ Favorite Yoko Ono factoid: she was apparently Kobo Abe’s translator the first time he visited America. Happy 88th birthday to her.

▰ The new TV series Debris (starting March 1, at least in the U.S.) looks like someone sneaked in at night and asked me while I was sleeping what I wanna watch once a week. Which means that like Counterpart, Intelligence (the one with Ian Tracey), and Travelers it’ll have a short run. Maybe it’ll last as long as Fringe, which it most resembles.

▰ Just proofread some liner notes I wrote. Very excited for when this physical object is released into the world.

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twitter.com/disquiet: Dilithium Resonance, Zoom Practice

From the past week

I do this manually each week, collating the tweets I made at twitter.com/disquiet that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here. It’s usually personally informative to revisit the previous week of thinking out loud, and yow what a week this has been.

▰ “Sound is a mechanical wave. Its energy travels through a medium. … His scream must have travelled at the resonant frequency of dilithium’s subspace components.” (The Star Trek: Discovery finale wasn’t entirely my thing, but it still had my number.)

▰ Whatever happens today, at least my laptop no longer beeps every time I plug in my phone or iPad. (Or, that’s the highlight of the week, and it’s all downhill from here.)

▰ I’ve learned many things about myself during pandemic shut-in life, and key among them is that I’m way more into Miss Marple than into James Bond.

▰ “The sonic scale of interstellar turbulence.” I truly have no idea what this means (nature.com), but it is my favorite clause of the week so far. I believe this explains is a bit more. I could also be entirely wrong: nature.com.

▰ The good news: there will be a new season of Schoolhouse Rock.

The bad news: due to current events, it will be rated R.

▰ I sure miss in-person guitar class, but it’s sure nice to be able to, the second Zoom class is over, use my phone to record myself playing certain sequences before I forget them entirely.

▰ “Sorry, I need to listen to this document right now.” (Thing I just heard myself say.)

▰ Seems sorta personal. I might prefer a one-on-one session.

▰ RIP, Salvador Lopez Monroy, founder of the Mission District’s El Farolito. The morning after we moved back to San Francisco after 4 years in New Orleans, we knew exactly where to go. We drove straight to El Farolito and ordered more food than we could finish.

▰ Reminder of the bliss of setting your Twitter location to a country where you don’t know the language (bonus points if you appreciate the characters’ aesthetics). The social media equivalent of working in a coffee shop where everyone’s chattering but you don’t understand a word.

▰ Current guitar class homework

▰ Send communications between Annares and Urras with ease

▰ Today’s home office tip: an old Lego box makes a good caddy for cables, notebooks, and other doodads.

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twitter.com/disquiet: Andorian Opera, Email Overload

From the past week

I do this manually each week, collating the tweets I made at twitter.com/disquiet that I want to keep track of. For the most part, this means ones I initiated, not ones in which I directly responded to someone. I sometimes tweak them a bit here. It’s usually personally informative to revisit the previous week of thinking out loud, and yow what a week this has been.

▰ Someone likes an old tweet of yours, so you check the date, and it’s 2010, and you’re like, “How long have I been doing this?” (June 2007)

▰ “Andorians have the best singers. Their antennae increase resonance. This particular soprano was discovered on the street corner. If you hear her live, in the right hall, you can hear four layers of overtones.” (Hostage-scene dialog from Star Trek: Discovery, which I’m digging)

▰ Yes, I’m enjoying Joe Country, the sixth book in Mick Herron’s Slough Horses series. After much drama between the two in the past, this sliver of a scene is all that a main character and his granddad share in the book. (Well, so far. There’s always memories. And intrigue.)

▰ 2020: I’ll vote for anyone who abolishes Daylight Savings Time.

2021: I’ll vote for anyone who abolishes autoplay.

▰ First Tuesday of the new year, the noon void as barren as ever. The Tuesday noon Outdoor Public Warning System siren, a true soundmark of San Francisco, is on a two-year hiatus as of December 10, 2019. Here’s what it used to sound like:

▰ I can only imagine what it would have taken to earn a 24-hour suspension.

▰ Deep breaths. Deep. Today was numbing.

▰ Listening to Albert Collins very loud. Typing. Clearing my mind. What a day. (Trying to sort out the next song to [try to] learn in guitar class.)

▰ For my family’s sake, I am announcing that I am throwing out this moldy apple that’s in my fridge. It’s been moldy for weeks (actually a little over a month — OK, four years) but today I’ve decided it’s too moldy. I can no longer abide by its moldiness. Enough is enough.

▰ Very happy that the first Disquiet Junto track in the first project of the new year was by a first-time participant.

▰ Latest from an occasional series on why I haven’t replied to a given email about an upcoming album:

▰ Best rendition of 4’33” yet

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Grace Notes: Organs, House Style, Endless Now

From last week

Some tweet observations (twitter.com/disquiet) I made over the course of the past week, lightly edited:

▰ Watched an old British TV mystery in which the damning evidence turned out to be the church organ was heard without use of pedals, meaning some kid had been asked by the organist to unwittingly provide an alibi during the murder. For the record I discovered the plot while watching the episode. I didn’t watch because someone had told me the plot. That said, had someone told me the plot, I almost certainly would have watched.

▰ Pretty sure that’s the last time I’m gonna all-caps the title of the new Autechre album

▰ Chrisjen Avasarala from The Expanse books gets our current moment. (This is from Babylon’s Ashes, volume six in the series.)

▰ “The host has another meeting in progress” (Who can’t relate?)

▰ This tweet will have a small audience, but I’ll mention it was a letdown in the final episode of Fast and the Furious: Spy Racers that right after one of the characters names an op Operation Mindcrime the song we hear isn’t by Queensrÿche but instead by Age of Menace. There was a fun little Hamilton/@reneegoldsberry Easter egg (she plays Ms. Nowhere) toward the end of the episode. (Probably a lot more of those that I missed.)

▰ Me: Kinda wish we could push fast forward a bit.
Star Trek: Discovery: How’s 950 years sound?

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On Colossus: The Forbin Project

For hilobrow.com

I recently re-watched a favorite movie, Colossus: The Forbin Project, for the HiLobrow series of essays on pre-Star Wars science fiction. Which got me thinking about set design in Jacque Tati’s Playtime, diversity on Star Trek, and how Jonathan Nolan’s pre-Westworld series Person of Interest was a form of fan fiction. The short version is that architecture is destiny. The essay itself is at hilobrow.com.

Contributors to the series, which is titled Klaatu You, include Erik Davis, Madeline Ashby, Peggy Nelson, Luc Sante, Rob Walker, Seth (an essay, not a comic), Susannah Breslin, Gary Panter (also an essay, not a comic), James Hannaham, and Neil LaBute, among many others. Start with editor Josh Glenn’s introduction.

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