New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

Top 10 Posts & Searches from October 2010

The list of most-read/visited posts of the past month is evenly divided between entries that did and didn’t focus on recommended (legally) free MP3s. First up, the latter: (1) An interview with the developer of the ShapeSeq music app, Paul Apfrod, who discusses interactive music (screen shot at left); (2) thoughts on John Cage and the poetry of sound in The New Yorker; (3) comments from netlabel proprietors regarding the impact of HTML5; (4) the seventh entry in the Sketches of Sound series, featuring Megan Kelso‘s kazoo; and, as is occasionally the case, one of the site’s automated weekly roundups of tweets from twitter.com/disquiet.

The most visited/read free downloads were: (6) Vanessa Rosetto‘s auto-documentation of packaging; (7) Guy Birkin‘s data-intense Listen to the Weather entry; (8) Thomas Ankersmit doing deep-listening solo sax in an Estonian hanger; (9) Janek Schaefer‘s installation score for an art exhibit on Japanese fashion; and (10) Landrecorder‘s mixed-loops set of breathy chanting, guitar strums, and what appears to be resonant field recordings (cover pictured at left).

The top searches of the month were: DJ Food, Aairira, Alan Morse Davies, Aphex Twin, app, Broque, Buddha Machine, Constellation Records, Corridors, double bass, dub, Family Tapes, Japan, Michael Bullock, Notion Ink, and Oval.

By Marc Weidenbaum

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

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  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

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  • 0561 / Samplelicker / The Assignment: Rework environmental sound recordings with Aphex Twin's new software.
    0560 / Sonic Disambiguation / The Assignment: Help the Wikimedia Foundation develop a sonic logo.
    0559 / Yes Exit / The Assignment: Compose your personal entrance and exit cues for conference calls.
    0558 / Chore Progressions / The Assignment: Use a routine activity as the map of a composition.
    0557 / Condensation Is a Form of Change / The Assignment: Interpret a graphic score that depicts four phases.

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