
Every time I stumble on this thing it looks to me like if David Cronenberg started a line of audiophile accessories

Every time I stumble on this thing it looks to me like if David Cronenberg started a line of audiophile accessories

Each Thursday in the Disquiet Junto music community, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.
Deadline: This project’s deadline is the end of the day Monday, December 19, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, December 15, 2022.
Tracks are added to the SoundCloud playlist for the duration of the project. Additional (non-SoundCloud) tracks appear in the [llllllll.co discussion thread](https://llllllll.co/t/disquiet-junto-project-0572-rhythm-kit/).
These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):
Disquiet Junto Project 0572: Rhythm Kit
The Assignment: Make a beat that someone else will add to.
Note: This project is the first of a two-parter. You don’t need to participate in both, and you can easily participate in the second one (next week) even if you don’t participate in the first one.
Instruction: Record a beat with the intension that someone other than yourself will add something to it at a later date. It’s preferable that you record something that lasts between one and three minutes, but it’s also fine to record something shorter with the intention that someone will loop it — or something longer, for that matter.
Also: Be sure to make your track downloadable.
Eight Important Steps When Your Track Is Done:
Step 1: Include “disquiet0572” (no spaces or quotation marks) in the name of your tracks.
Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0572” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.
Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.
Step 4: Post your track in the following discussion thread at llllllll.co [https://llllllll.co/t/disquiet-junto-project-0572-rhythm-kit/](https://llllllll.co/t/disquiet-junto-project-0572-rhythm-kit/)
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.
Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to [email protected] for Slack inclusion.
Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.
Additional Details:
Deadline: This project’s deadline is the end of the day Monday, December 19, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, December 15, 2022.
Length: The length is up to you. Between one and three minutes is optimal.
Title/Tag: When posting your tracks, please include “disquiet0572” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).
For context, when posting the track online, please be sure to include this following information:
More on this 572nd weekly Disquiet Junto project — Rhythm Kit (The Assignment: Make a beat that someone else will add to) — at: https://disquiet.com/0572/
More on the Disquiet Junto at: https://disquiet.com/junto/
Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: [https://llllllll.co/t/disquiet-junto-project-0572-rhythm-kit/](https://llllllll.co/t/disquiet-junto-project-0572-rhythm-kit/)
These sound-studies highlights of the week originally appeared in the December 13, 2022, issue of the free Disquiet.com weekly email newsletter This Week in Sound: thisweekinsound.substack.com.
▰ BUG OUT: Scientists are recreating the sounds of ancient insects. It’s like Jurassic Park, but smaller, and less of a DEFCON threat. It’s also considerably older.
Scientists had already suspected that katydids might have changed their tunes before mammals evolved better hearing about 160 million years ago. But they had no evidence for that hypothesis until [Michael Engel [at the University of Kansas] and his colleague Bo Wang at Nanjing Institute of Geology and Palaeontology in China discovered a collection of 63 very well-preserved male and female katydid fossils, representing 18 species from the Middle Jurassic Epoch, 160 million years ago, in north-eastern China.
The team photographed the three-dimensional fossils to investigate the males’ stridulatory organs – a set of five structures on the forewings that produce and radiate sound – and both sexes’ hearing organs, which resemble a somewhat simplified form of the human middle and inner ear structures and are located on the two front legs. In both modern and ancient species, all katydids have ears, but only males have stridulatory organs.
▰ SONIC REDLINING: Students of Erica Walker, assistant professor of epidemiology at Brown University, have looked at how different neighborhoods around Providence, Rhode Island, were affected differently by noise pollution: “In the areas around highways and in neighborhoods with more non-white and low-income residents, students in Walker’s class found noise pollution levels were higher — sometimes above the maximum decibel levels set by city ordinances.” As part of the research, they produced heat maps displaying the relative impact.

▰ RED EAR: The Mars rover was hit by a nearly 400-foot-tall dust storm and lived to share what its onboard microphones recorded: “The sound of the dust devil, published Tuesday to accompany a paper in the journal Nature Communications, is subtle. It’s crackly and percussive, like radio static, though one might more generously imagine a breeze ruffling some distant palm fronds.”
“[ISAE-SUPAERO planetary scientist Naomi] Murdoch said the team’s success in capturing a dust devil’s sound reflects both luck and preparation. The rover’s microphone takes recordings lasting a little under three minutes, and it does that only eight times a month. But the recordings are timed for when dust devils are most likely to occur, and the rover cameras are pointed in the direction where they are most likely to be seen.” (Thanks, Mike Rhode, for the Washington Post gift link!)
▰ RADIO INTERFERENCE: One victim of electric vehicles appears to be AM radio, which (see nytimes.com gift link) is being dropped by numerous manufacturers, including Audi, Ford, Porsche, Tesla, Volkswagen, and Volvo:
An increasing number of electric models have dropped AM radio in what broadcasters call a worrisome shift that could spell trouble for the stations and deprive drivers of a crucial source of news in emergencies.
Carmakers say that electric vehicles generate more electromagnetic interference than gas-powered cars, which can disrupt the reception of AM signals and cause static, noise and a high-frequency hum. (FM signals are more resistant to such interference.)
Despite this industry-wide shift, the eradication of AM isn’t necessarily inevitable: “Some experts say the reception problems are not insurmountable.”
▰ TAPE HEADS: A perspective on physical recording media, via New Scientist: “[A]udio on cassette doesn’t sound as good as hi-res streaming, so what is the appeal? Well, it is the same reason vinyl has made a comeback – the enduring lure of retro technology. Earlier this year, a series of experiments carried out by a team including psychologist Matthew Fisher at Yale University showed that people tend to prefer technology they think was invented before they were born, an effect that holds even when the technology isn’t as old as people think.”
▰ QUICK NOTES: WHALE OF A MYSTERY: Whales are making their songs deeper. Scientists have found “the tonal frequencies of the songs had been sinking to even greater depths for three straight years.” And no one knows why. (Thanks, Erik Davis!) ▰ SKULL CANDY: WBUR covered how Berklee College of Music professor “Richard Boulanger turns … brainwaves into music in a high-pitch, high-tech demonstration.” ▰ BAD LANGUAGE: “[Research] suggest[s] that some sounds — plosives and affricates in particular — are more suitable for profanity than others. This may be because they sound more abrasive or aggressive than other sounds, and so make language harsher when used.” (Thanks, Christian Carrière!) ▰ PIER PRESSURE: Noise pollution of Hong Kong is keeping dolphins from being able to communicate with each other. ▰ BAND AID: Apple’s watchOS 9.2 has expanded its environmental noise detection offering. ▰ F(L)IGHT CLUB: It’s not just people who get road rage: “A recently published study has found that human-made traffic noises are linked to increased physical aggression in rural European robins.” ▰ NORTH STAR: Anchorage, Alaska, has tripled the fee for noisy vehicles, to $300 from $100. ▰ DIAMOND AGE: “The earliest transistor gadget to hit the market was a hearing aid released in 1953. Soon after came the transistor radio, which became emblematic of the 1960s.” And now the transistor has turned 75. ▰ CAM NOT: The organizer of the Citizens Noise Advisory Group in Albuquerque, New Mexico, is not convinced that so-called “sonic cameras” are the answer to the problem of vehicular noise pollution, noting vandalism, theft, and location avoidance as issues to be considered. ▰ RUMP ROAST: John Hodgman weighed in on whether the word “fart” counts as onomatopoeia — and whoever wrote the headline deserves a Pulitzer.
240,000,000: Estimated number of years since when male katydids have made sounds by rubbing their wings
60: Number of dust grain impacts per second recorded by the Mars rover
30: The percent that the measured frequency of whale songs has declined over the past four decades
________
¹Footnotes
Katydid: [newscientist.com](https://www.newscientist.com/article/2351116-fossils-reveal-the-dinosaur-eras-changing-insect-soundscape/). Mars: [newscientist.com](https://www.newscientist.com/article/2351154-nasas-perseverance-rover-recorded-the-sound-of-a-dust-devil-on-mars/). Whales: [nautil.us](https://nautil.us/the-mystery-of-the-blue-whale-songs-248099/).
