The Best RjDj (& Inception) App Scenes (& Dreams) — According to the Developers at RjDj

RjDj is an iOS app that takes the sounds around you, transforms them, and then plays them back to you. The process is referred to as “reactive,” because the transformations occur in real time — i.e., they react to your (sonic) environment, as well as, in some cases, to more common iPod/iPhone/iPad techniques like touching the screen and moving the device.

RjDj is an app, but to borrow a phrase, or two, from Walt Whitman — who taught us to sing the body electric — it contains multitudes, because RjDj contains within it a growing library of “scenes,” each of which reacts to the world in a different way. When you install RjDj on your iPhone, it comes with a few scenes. Then you explore the RjDj library and select new ones. And, if you get adventurous, you can design your own scenes.

The incredibly popular Inception app, released last week, is a descendant of RjDj — it’s essentially a bespoke edition of RjDj, tailored to the sounds and aesthetic of the brain-twisting summer flick; each “dream” in Inception is, essentially, what would be a “scene” in RjDj.

Given how many RjDj scenes there are out there, with more every day, I asked the crew that develops software — at the company Reality Jockey, based in London — to recommend their favorite RjDj scenes and Inception dreams:

Michael Breidenbrücker, CEO (twitter.com/byzo):

Favourite RjDj Scene: Dimensions (by Kids on DSP). Why?: There is a part in it where the microphone input drives the synth — I like that. More Info: rjdj.me.

Favorite Inception Dream: Travelling Dream. Why?: Whatever you are traveling with becomes an instrument. The music is composed and designed for exactly that situation: travelling. There is so much to say about this piece of music you could write a book about it, but it just sounds simple and super, too, which is the reason why I won’t write a book about it. :-)

Robert Thomas, CCO, Reactive Music Producer
(twitter.com/dizzybanjo, dizzybanjo.wordpress.com):

Favourite RjDj Scene: Eargasm (by Damian Stewart) Why?: Eargasm was the first RjDj scene I heard while beta-testing it as a user in 2008. It completely blew me away. I used to listen to it for hours at a time. The sensation Damian Stewart created, of reality musically glowing — almost revealing a secret inner beauty in everything — is really special and has certainly touched a lot of people. More Info: rjdj.me.

Favorite Inception Dream: Sleep Dream Why?: I like a lot of the dreams we worked on for Inception for different reasons, but the Sleep Dream is especially fascinating because of the pervasive ways people are using it. Many people are actually going to sleep with this dream on and using it as a way to induce dreams. It’s very abstract sonically — reality is twisted into a vast intricate texture where time is reversed. It’s extremely surreal. Its also incorporates music from the movie in a very interesting way, stretching it out into huge granular soundscapes.

Martin Roth, CTO:

Favourite RjDj Scene: Echolon (by Günter Geiger) Why?: This is one of my favourite RjDj scenes, not because it is some technical tour-de-force or an artistic masterpiece, but because it is so simple and yet so addicting. Echolon is a bundled scene in the RjDj player and has become the most popular scene of all time. The basic effect is one that echoes your surroundings around you, pitching everything up and down. You hear different versions of the echo in your left and right ears. Sounds in your environment are pitched, giving the impression of a musical world. Possibly the greatest reason for the success of Echolon is that it provides a very striking effect, but that it is also relatively easy to understand. Everyone knows what an echo is, but few people seem to have had the opportunity to hear themselves or their surroundings echoed on demand. So here’s to you Echolon, the little echobox that could! More Info: rjdj.me.

Christian Haudum, Graphic Designer and Web Development (twitter.com/chaudum, christianhaudum.at):

Favourite RjDj Scene: Aware (by Florian Waldner) Why?: It’s very relaxing listening to it in the office. You get a nice spherical soundscape and you are connected to the “outside” to a very high degree. More Info: rjdj.me.

Dominik Hierner, iOS developer (twitter.com/k1n1m0d):

Favourite RjDj Scene: Replay Atlantis (by Kids on DSP ft Kirsty Hawkshaw) Why?: Atlantis throws you into the deep sea and you feel surrounded by a nice bass, relaxing melody and mermaids. This scene was like the first scene that really puts you into a complete new world. Replay Atlantis has kind of a story within it; it is an adventure, an experience rather than “just music.” And it also sounds great when the real world around you does not give the music something to react on. More Info: rjdj.me.

Joe White, Reactive Music Producer:

Favourite RjDj Scene: Seduction Part III (by Shuga) Why?: I like the idea of actively performing with someone else’s music as you listen to it. Seduction Part III has this cool r&b groove where you can add cheeky drum fills, synth lines and whooshes. It’s great to learn the interaction of the synth; after a while, you can create own your expressive melodies. More Info: rjdj.me.

Florian Stege, Intern:

Favourite RjDj Scene: Nothing on We (by Chiddy Bang) Why?: I like the groove of this hip-hop track and the way you can manipulate the beat and play with the instruments. I also like the variety of the different parts of the track. It gives you the opportunity to create a really nice, perfect individualized backing track for your vocals. More Info: rjdj.me.

More on Reality Jockey at rjdj.me. Get the RjDj app at itunes.apple.com, and the Inception app (itunes.apple.com).

Univac’s Original Hacked Buddha (MP3s)

As mentioned previously, one of the great things about guestblogging this past couple weeks at boingboing.net has been the audience. You never know who’s going to drop by the comments to add something valuable. For example, Christiaan Virant, one of the two creators (aka the duo FM3) of the Buddha Machine, left word of plans for a device that would allow original audio by users (in contrast with the preset loops that come in the first three editions of the Buddha Machine). And two musicians left links to MP3s of their related recordings.

And also in that same post’s comments was one from Univac. A little background: for the very first Maker Faire, held in April 2006 here in the San Francisco Bay area, I put together a panel discussion and performance about and by musicians who make their own instruments. Participating were Krys Bobrowski, Chachi Jones (aka Donald Bell, now a writer at CNet), and univac (aka Tom Koch). You can check out the audio of the panel here: “Maker Faire Instrument Panel MP3.” There’s a conversation, which I moderated, followed by a group improvisation.

Back to the Boing Boing post: Univac was sharing information about one of his many hacked sound makers, in this case a traditional Buddhist chant box, or buddha machine (lower case), that he’d gotten from a Los Angeles temple (given to him by Negativland colleague Tim Maloney). His device is shown above, and here are three samples of its audio: there’s one of a chant, first in its normal state, and then slowed down (MP3); then comes one that results from the use of that snakelite LED as an optical control (MP3); and then there’s an extended noisy run through the gadget’s many switches (MP3). As univac puts it: “A nice long noisy journey thru the switch matrix. Turn down the lights. Hide the cats. Don’t call your girlfriend.”

[audio:http://techdweeb.com/media/ChanterNormToSlow.mp3|titles=”Norm to Slow”|artists=Univac’s Chanter] [audio:http://techdweeb.com/media/ChanterOptical.mp3|titles=”Optical”|artists=Univac’s Chanter] [audio:http://techdweeb.com/media/ChanterSwitches.mp3|titles=”Switches”|artists=Univac’s Chanter]

If you’re familiar with the FM3 Buddha Machine, then you will recognize the (non-FM3) chant device attached on the inside of the cover, above.

The gadget is called the Chanter. More on it at techdweeb.com.

A Brief RjDj Overview (MP3)

Tomorrow, for RjDj app fans and for those new to reactive audio (likely thanks to the debut of the Inception app), there will be some special RjDj coverage. But in advance, what exactly is RjDj? Here’s a podcast overview from back in September of the reactive iOS (iPhone, iPod Touch, iPhone) app that is the, well, inception point of the Inception app (MP3). RjDj is an app that serves as a software platform for various “scenes,” and the majority of those scenes use algorithms to transform the sound that exists around you, creating a new layer of sonic experience that enriches everyday reality. And as complicated as that may sound, it’s really quite simple: install the app, put on your headphones, and hit play. As the podcast host puts it, “for my money, the best experience of augmented reality is auditory.” Podcast originally posted at invisible99.podbean.com. My boingboing.net story about Inception: “Music Apps Killed the MP3 Star.”

[audio:http://invisible99.podbean.com/mf/web/e94wrq/99Invisible-03-99Realityonly.mp3|titles=”September 24 2010″|artists=99% Invisible Podcast]

And a little background on the Boing Boing piece: “Liked the Movie, Loved the App.”

The Eerie Return of the Wax Cylinder

So, 8-track retro-fetishism gave way to 7″ retro-fetishism gave way to vinyl-LP retro-fetishism gave way to cassette-tape retro-fetishism, with sidelines into Walkman retro-fetishism and the unique subculture of cassingle retro-fetishism. Throughout, there have been occasions of reel-to-reel retro-fetishism. Generally speaking, culture anoints technology as a retro fetish object just around the time the Amish begin to consider adopting it (at least based on the depiction of Amish hacker culture in Kevin Kelly’s recent book, What Technology Wants).

And yet the further ahead we proceed, the further back we look. Which brings us to the cutting edge of ancient: wax-cylinder retro-fetishism.

The wax cylinder was developed as a medium for recorded sound by Thomas Edison in the mid-to-late 1870s. By the time the Depression came around, Edison had stopped producing them.

And then, as 2010 was coming to a close, the duo of Carl Michael von Hausswolff and Michael Esposito released a brand new wax cylinder, titled The Ghosts of Effingham (shown above). And it glows in the dark. And it is purported to contain the voices of the dead.

That’s the subject of my latest guestblog entry at boingboong.net: “Wax Cylinder: Occult Sonic Technology of a Bygone Age, Good as New.”

(Above image is a detail of a shot displayed at the touchmusic.org.uk website. It accompanies an extended article by Ken Hollings on Effingham and the occult origins of recorded sound in the January 2011 issue of The Wire. More from Hollings at kenhollings.blogspot.com.)

Buddha Machine Co-Founder Describes Prototype Device Allowing User Audio

Over at the Buddha Machine discussion at my recent boingboing.net post on the latest generation of the device (“If You Meet a Buddha Machine on the Road, Hack It”), FM3 member Christiaan Virant responded to something I’d mentioned at the close of my piece. After three sequential versions of the Buddha Machine containing FM3’s loops, I’d requested that a future edition allow for a user’s own audio. Virant and his FM3 partner, Zhang Jian, are the developers of the Buddha Machine series of small, portable, ambient looping devices.

Virant wrote the following:

Regarding Marc’s wish for a 4G buddha with upload capability… not likely in the Buddha Machine series, but am currently onworking a new device which might possibly allow user loops. its a different form factor than the buddha, but still a hand-held, self-contained music playback unit. in a retro-vibe… also, have been working for at least 3 years on a solar-powered buddha, but thwarted by high cost and low power output of smaller solar panels. recently solved the power problem however, so next gen buddha likely sun powered.

For more information on the machines, here are two interviews I’ve done previously with Virant: back in 2005, regarding their initial device (“Buddha in the Machine”), and in 2008, for the launch of the second edition (“Buddha Machine, Reloaded”).