Archeological and Environmental Fiction

An ongoing series cross-posted from instagram.com/dsqt

This excavated wall by Andy Goldsworthy in the Presidio is easily one of my favorite pieces of public art in a city with a lot of great public art. It’s a fantastic work of archeological and environmental fiction. You can sense, long after its creation, the growth — as well as the effort required to unearth it.

Upcoming Event: Music That Listens to Itself

An event I'm leading at the Berkeley Alembic on September 29, 2023

It’s been a while since I did a live event. I think the last one may have been last year when I interviewed Mark Fell, Rian Treanor, and James Bradbury at the Algorithmic Art Assembly here in San Francisco. Now I’ve got a new event scheduled, across the Bay in Berkeley. On the evening of Friday, September 29, from 7pm to 9pm, I’ll be leading an in-person session in the Expanded Listening series at the venue Berkeley Alembic (berkeleyalembic.org). I was invited by my old friend Erik Davis (Techgnosis, Burning Shore) to program an evening’s listening after I attended an Expanded Listening session he did last month with Sam Plattner, a sound designer and field recordist. It’s a great format: I’ll speak a bit before the listening session, then we’ll listen straight through for about 80 minutes to music I’ve assembled from a variety of sources, and then we’ll discuss what we heard, as well as our experience of listening to it. It’s a comfortable, airy space, with yoga mats and cozy cushions to lay out on while the music plays.

Here is the official event description:

For this session of the Expanded Listening series, we’ll enjoy a program of ambient and ambient-adjacent artists from around the world that employs techniques to not just slow but to even reverse and revisit time. From reverb to echo to tape loops to granular synthesis, various recording and performance practices give artists the means by which to examine the space within sound. We’ll listen to some of these artists via recordings as they explore what might be called the “poetics of the buffer”: the ability to capture sound, often in real time, and toy with it while it still lingers in the mind’s ear. This is music that listens to itself. Such recordings lend themselves readily to meditative states, to a consideration of music as a time-based art, and to an appreciation of the ways that numerous genres aspire to a state of utmost stillness. The evening will open with some framing comments from Marc Weidenbaum, a music critic and the moderator of the Disquiet Junto, a long-running online community for electronic musicians, some of whose compositions will be included.

There’s an Eventbrite page to get a ticket. Hope to see you there.

TWiS Listening Post (0011)

An album, a video, and an advance

This went out last Wednesday as a weekly bonus — a thank-you to people who financially support This Week in Sound. It supplements the free Tuesday and Friday issues, which feature a broader array of material from the field of sound studies. It contained an annotated playlist of recommended music. I wrote about (1) a nearly four-hour album of “impossible” piano music by Kenneth Kirschner, (2) a half-day-long video by Dan Coffey of slow shifts in syncopation, and (3) a taste of the upcoming Andrew Pekler album.

Scratch Pad: Spelling, FCGDAEB, Fincher

From the past week

I do this manually at the end of each week: collating most of the recent little comments I’ve made on social media, which I think of as my public scratch pad. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m also trying out a few others. And I take weekends off social media. 

▰ I’m the only customer at the pupuseria, and I can hear the hand slaps as they are made, one at a time — the cook, out of sight, singing along with the radio, just the chorus of each song

▰ The Who’s “Won’t Get Fooled Again” gets a little longer every few years. There’s a committee that decides when and by how much, but the group’s governance and decision-making are tightly guarded secrets.

▰ If a widely used word processor can recognize the brand names for fast food, athletic equipment, and cleaning products, there’s no excuse for it not to recognize these names.

▰ Fluffy Clouds Generate Divine Ambient Ether Blankets

Fluffy Clouds Generate Divine Ambient Ether Blankets

Fluffy Clouds Generate Divine Ambient Ether Blankets

Fluffy Clouds Generate Divine Ambient Ether Blankets

(I’m, er, belatedly getting around to memorizing the circle of fifths. And I originally had “Frothy” but Acoustic Mirror, on Mastodon, correctly suggested “Fluffy” in its place.)

▰ 1-Across “Sound made by an electric vehicle at low speed”

The answer had three letters. The New York Times Mini has my number.

▰ Everything I need to know about the upcoming David Fincher movie, The Killer. (And Peter Albrechson noted Ren Klyce, Fincher’s longtime collaborator, returns for sound design, a role rarely highlighted in this sort of credit list.)

▰ For the record: a lunch that is one third Sichuan leftovers and two thirds Salvadoran leftovers is excellent.