Disquiet – Page 474 – Listening to culture. Playing with audio. Sounding out technology. Composing in code.

2020’s Most Read Disquiet.com Posts

And a few other details from my most prolific year

December 31, 2020 / By Marc Weidenbaum

Being shut in for the majority of 2020 had some benefits, one of them being that for the first time since I founded this website at the tail end of 1996, I managed to write a post every single day. On some days I posted more than once, yielding a total of 478 posts over the course of the leap year’s 366 days (479 posts counting this one, come to think of it). The months of March and May were my most prolific, with 52 posts each, and July was my least (with 32).

Using Google Analytics, I sorted out the 10 most read posts of the year:

1. The Fjærlett, [a beautiful audio feedback instrument](https://disquiet.com/2020/06/24/fjaerlett-reverb-gard-osen-tilde/) designed by Oslo-based Kristoffer Gard Osen.

2. A highly sensitive microphone called [the Geofón](https://disquiet.com/2020/01/14/geofon-lom/): “designed for seismic measurements, it can be used with regular field recording equipment to capture very faint vibrations in various materials and even soil.”

3. This post is only half a month old, but was clearly popular based on the subject: [guitar adaptations of Aphex Twin’s music](https://disquiet.com/2020/12/20/current-favorites-aphex-on-guitar-advent-sounds/).

4. [Visual code](https://disquiet.com/2020/02/21/graphic-notation-x-visual-code/) (in this case Pure Data) as a form of graphic notation, with a focus on the work of Fahmi Mursyid, who is based in Indonesia.

5. A [small MIDI controller](https://disquiet.com/2020/04/05/have-midi-will-travel/) that Tom Whitwell of Music Thing Modular (based in London) prototyped with me in mind.

6. Portland, Oregon-based [Patricia Wolf’s Cellular Chorus](https://disquiet.com/2020/02/25/cellular-chorus-patricia-wolf/).

7. My [advice when sharing your music via email](https://disquiet.com/2020/05/23/advice-when-sharing-your-music-via-email/) in the hopes of getting press attention.

8. A short video I shot of [the hum](https://disquiet.com/2020/06/06/the-golden-gate-bridge-hum/) whose emanation from the Golden Gate Bridge has gained worldwide notoriety.

9. Video of [a live ambient performance](https://disquiet.com/2020/07/15/orbital-patterns-goes-deep/) by Orbital Patterns (aka Michigan-based Abdul Allums)

10. Commemorating 2,000 days of Virginia-based cartoonist [Todd Webb’s Daily Bleeps](https://disquiet.com/2020/10/26/adrian-todd-webb-dailybleeps/):

And as a side note, the most popular post associated with the Disquiet Junto music community (besides the [FAQ](https://disquiet.com/2013/04/25/disquiet-junto-faq/), which isn’t new) was related to the Solitary Ensembles project, which [teams up trios of geographically dispersed collaborators](https://disquiet.com/2020/03/19/disquiet-junto-project-0429-solitary-ensembles/).

Disquiet Junto Project 0470: Calendar View

The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

December 31, 2020January 1, 2021 / By Marc Weidenbaum

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, January 4, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, December 31, 2020.

Tracks will be added to [the playlist](https://soundcloud.com/disquiet/sets/disquiet-junto-project-0470) for the duration of the project.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0470: Calendar View

The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

As is the tradition at the end of each calendar year, this week’s project is a sound journal, a selective audio history of your past twelve months.

Step 1: You will select a different audio element to represent each of the past 12 months of 2020 — or you might opt for even more elements, choosing a segment for each week, or each day, for example. These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, your own devising, and not drawn from third-party sources.

Step 2: You will then select one segment from each of these (most likely) dozen audio elements. If you’re doing a dozen items, one for each month, then five-second segments are recommended, for a total of one minute. Ultimately, though, the length of the segments and of the overall finished track are up to you.

Step 3: Then you will stitch these segments together in chronological order to form one single track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

Step 4: In the notes field accompanying the track, identify each of the audio segments.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0470” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0470” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

[https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/](https://llllllll.co/t/disquiet-junto-project-0470-calendar-view/)

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, January 4, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, December 31, 2020.

Length: The length is up to you. Did time pass quickly, or slowly?

Title/Tag: When posting your tracks, please include “disquiet0470” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 470th weekly Disquiet Junto project — Calendar View / The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments — at:

https://disquiet.com/0470/

First Track from Forthcoming A Winged Victory for the Sullen Album

A production based on an Italo Calvino novel

December 30, 2020 / By Marc Weidenbaum

<a href="https://awvfts.bandcamp.com/album/invisible-cities">Invisible Cities by A Winged Victory for the Sullen</a>

It’s almost exactly two months until *Invisible Cities*, the new album by A Winged Victory for the Sullen, arrives. But the first public track, “Desires Are Already Memories,” is already up on its [Bandcamp page](https://awvfts.bandcamp.com/album/invisible-cities).

The music is the score composed by AWVftS’s Dustin O’Halloran and Adam Bryanbaum Wiltzie for a theater production by Leo Warner (see Warner ‘s [59productions.co.uk](https://59productions.co.uk/project/invisible-cities/) for details). The title comes, clearly, from the Italo Calvino novel, of which the Warner production is an adaptation.

“Desires Are Already Memories” is classic Winged Victory, which is to say it’s post-classical: all stirring, minimalist chamber-ensemble undergirding, an angelic choir component, and touches of modernity in the form of artful maudlin-techno pulsing and what sounds like a Jew’s harp emulating rave-era Underworld. More than enough reason to get excited about for what’s to come when the full record is released.

Album originally posted at [awvfts.bandcamp.com](https://awvfts.bandcamp.com/album/invisible-cities).

Ambient Gets More Trombones

Thanks to Benjamin Louis Brody

December 29, 2020 / By Marc Weidenbaum

<a href="https://benbrodymusic.bandcamp.com/track/oscillations">Oscillations by Benjamin Louis Brody</a>

This brooding, speedily hypnotic track combines two trombones, played by Alaina Alster and Max Sholl, with synths performed by the piece’s composer, Benjamin Louis Brody. The title, “Oscillations,” is spot on for the heavily vibrating opening, a volatile drone that slowly recedes (though only partially) as more immediately recognizable horn playing begins to surface. The track was released back in mid-2018, but I first learned of it only last night when Brody replied to a tweet I had made about how “Ambient music needs more trombones.” This is further proof of the truth of that statement.

Track originally posted at [benbrodymusic.bandcamp.com](https://benbrodymusic.bandcamp.com/track/oscillations). More from Brody (raised in New Jersey, based in Brooklyn, New York) at [benbrodymusic.com](https://www.benbrodymusic.com/).

Lofi Trombone Loops

Courtesy of Quiet Horn

December 28, 2020 / By Marc Weidenbaum

The abundance of reverberating droning heard in this video is the result of layer upon layer of loops accumulating, all soured from live trombone playing, and then treated live in an iOS app that doesn’t merely simulate but also sensualizes the effect of old reel-to-reel tape. The result, especially when the octave leaps and glitches kick in, sounds inspired by Jon Hassell: futuristic atmospheres hinting at tribal ceremonies, high technology mined for its textures, its inaccuracies, its shortcomings. This is the music of Quiet Horn. The YouTube account only has 150 subscribers as of this writing, but that’s sure to increase soon, based on the beauty of this piece.

This is the latest video I’ve added to [my ongoing YouTube playlist](https://www.youtube.com/playlist?list=PLAgCxRbmR1MJxihgJkCPEnehAPvjoF71-) of fine live performance of ambient music. Video originally posted at Quiet Horn’s [YouTube](https://www.youtube.com/watch?v=om-BsgsIL_4&t=28s) account.