This Week in Sound: 3D Crimes + Posthuman Postrock+ caption studies + !@#$ patents + Google metronome + iPad conducting + seismic listeningApril 6, 2016November 10, 2019 / By Marc Weidenbaum
Remixing the Chamber Ambient Music of Christina VantzouSteve Hauschildt reworks "Stereoscope"March 7, 2016 / By Marc Weidenbaum
The One-Key PianoAnd how Google Android explains itself in musicFebruary 29, 2016 / By Marc Weidenbaum
Disquiet Junto Project 0214: Microtonal ErrataThe Assignment: Bring to the fore the distinction between two specific microtones.February 4, 2016February 5, 2016 / By Marc Weidenbaum
La Voix HumaineCocteau, Poulenc, Duval, and technological art of the telephoneFebruary 3, 2016 / By Marc Weidenbaum
“Moths Drink the Tears of Sleeping Birds”A string quartet by Anna HöstmanFebruary 1, 2016February 1, 2016 / By Marc Weidenbaum
This Week in Sound: Microtonal Errata + Party Lines+ applbums + old musicJanuary 30, 2016 / By Marc Weidenbaum
Satie, This Time with FeelingAnd at a slower pace – thanks to Hey ExitJanuary 25, 2016 / By Marc Weidenbaum
How Erik Satie Foresaw Brendan Landis’ Excavation of His “Gymnopedie No. 1”And how Sean Dack intervened in between, back in 2011January 18, 2016January 18, 2016 / By Marc Weidenbaum
Every* Recording of Erik Satie’s “Gymnopedie 1” Played at the Same TimeA sound experiment in opulent minimalism by Brendan LandisJanuary 15, 2016August 12, 2019 / By Marc Weidenbaum