New Disquietude podcast episode: music by Lesley Flanigan, Dave Seidel, KMRU, Celia Hollander, and John Hooper; interview with Flanigan; commentary; short essay on reading waveforms. • Disquiet.com F.A.Q.Key Tags: #saw2for33third, #field-recording, #classical, #juntoElsewhere: Twitter, SoundCloud, Instagram

Listening to art. Playing with audio. Sounding out technology. Composing in code. Rewinding the soundscape.

tag: sound-art

The Cables of Marina Rosenfeld

Currently at Kadist in San Francisco

Four details from Marina Rosenfeld’s installation Music Stands (2019), which just finished its run at the Kadist gallery in San Francisco (kadist.org). There’s a lot more to the piece, and to the exhibit, “Seeing Sound,” curated by Barbara London, which featured two additional artists, Aura Satz and Samson Young. I was just particularly taken with the sinuous cable flow:

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twitter.com/disquiet: Dalton, Kadist, Oblique

From the past week

I do this manually each Saturday, collating recent tweets I made at twitter.com/disquiet, which I think of as my public notebook. Some tweets pop up (in expanded form or otherwise) on Disquiet.com sooner. It’s personally informative to revisit the previous week of thinking out loud.

Gunpowder Milkshake uses the same Karen Dalton song, “Something on Your Mind,” that Mayans MC did this past season, number three. It’s a beautiful track, how her voice always sounds like it’s going to break, and I’ll now always associate it with cinematic ultraviolence. And oh that violin that emerges. It’s by Bobby Notkoff, who played on Joni Mitchell’s For the Roses, and several Crazy Horse records (with and without Neil Young).

▰ Last month, members of the Disquiet Junto music community recorded sounds of fictional insects they had imagined. This past weekend, participants created hybrids by blending the sounds of pairs of those imaginary insects. The playlist menagerie is here: soundcloud.com/disquiet.

▰ Some coordinates:

disquiet.com
soundcloud.com/disquiet
youtube.com/disquiet
instagram.com/dsqt
flickr.com/disquietpxl
tinyletter.com/disquiet
tinyletter.com/disquiet-junto

▰ First burrito at Cancun on Mission in forever

▰ Weighing in at 1,055 pages. See you later.

▰ When I bought the URL and started disquiet.com in 1996, it was named for Pessoa’s Book of Disquiet. More broadly, it was because, unless I’m mistaken, the copyright had run out on the book, so translations could more easily be published. I had several recent ones. Oh yeah, disquiet.com turns 25 in December. The Junto turns 10 in January. Next Thursday is the 500th consecutive weekly Disquiet Junto project. But first I need to post the 499th today. (And in 6 years, it’ll be the 300th anniversary of Ben Franklin’s original Junto.)

▰ The Dune trailer looks epic. It should look epic. It’s Dune. The most promising thing may be that it appears to have a sense of humor. Alternately, the most promising thing is they seem to have ditched the Pink Floyd song.

▰ If you zoom (not Zoom) in and dial the number, you can hear a conversation between Laurie Spiegel and the late Pauline Oliveros. Or you can visit the Kadist (kadist.org) gallery in San Francisco, where the installation (Dial Tone Drone by Aura Satz) is part of the Seeing Sound exhibit. The traveling exhibition is curated by Barbara London, who in 2013 assembled MoMA’s Soundings: A Contemporary Score. Two other artists are featured at Kadist in San Francisco: Marina Rosenfeld and Samson Young. Perhaps to their credit, not one of them is on Twitter, but three of the four are on Instagram, if that’s of interest. The number is 1 (833) 764-1221.

▰ Hit pause and accidentally stumbled on Downton Abbey and Zombies:

▰ Oh, wow. When I posted to Facebook, it triggered the facial recognition, so now it looks like a first person shooter based on the Downton Abbey and Zombies movie:

▰ Really appreciate the Disquiet Junto being featured in this piece at hii-mag.com about internet communities for musicians built around compositional prompts. As one of the Oblique Strategies cards reads: “Define an area as ‘safe’ and use it as an anchor.”

▰ Checklist:

🗹 499th Junto
🗹 ton of work
🗹 long-form writing
🗹 writing that’s me cheating on long-form writing
🗹 gallery review draft
🗹 lunch with friend
☐ email catch-up
🗹 guitar practice
🗹 home cooking
🗹 some exercise
🗹 go offline until Monday

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If John Cage Rode a Horse

Two from a short series

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Disquiet Junto Project 0484: A Movable Heart

The Assignment: Transplant the sounds of Chris Kallmyer's wind chimes to a new location.

Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. Membership in the Junto is open: just join and participate. (A SoundCloud account is helpful but not required.) There’s no pressure to do every project. It’s weekly so that you know it’s there, every Thursday through Monday, when you have the time.

Deadline: This project’s deadline is the end of the day Monday, April 12, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, April 8, 2021.

These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):

Disquiet Junto Project 0484: A Movable Heart
The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location.

First, some background: Artist Chris Kallmyer’s “Two hearts are better than one” is a pair of wind chimes, one of which is depicted in this week’s cover image, crisscrossing Los Angeles at the height of the pandemic. Installed at homes for week-long listening sessions, the chimes formed a duet across a city and provided intimate experiences with sound for 16 families sheltering at home. (More at chriskallmyer.com.)

Step 1: Chris has provided us with a recording of the wind chimes, a little over five minutes long. The audio was cleaned up by Alex Hawthorn to maximize the clarity of the chimes themselves, removing much of the background sound, thus situating the chimes in what might be thought of as a platonic space. Access the wav file at dropbox.com.

Step 2: You’ll be continuing the journey of this wind chime. You’ll do this by playing the wav file recording out loud somewhere you choose, and recording the sound of the wind chime in that environment.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0484” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0484” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, April 12, 2021, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, April 8, 2021.

Length: You’d likely keep your track to the original length, but vary as you see fit.

Title/Tag: When posting your tracks, please include “disquiet0484” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 484th weekly Disquiet Junto project — A Movable Heart (The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location) — at: https://disquiet.com/0484/

More on Chris Kallmyer at: chriskallmyer.com.

Major thanks to Alex Hawthorn for support: alexhawthorn.com

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Pieter Kaufman and used with the artist’s permission.

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Jasmine Guffond Gets the Drop on the Mic

For a new Editions Mego album

Both the album title, Microphone Permission, and the title of its lead track, “Forever Listening,” get at Jasmine Guffond’s interest in surveillance culture. The former is something we grant devices and apps without giving the decision, such as it is, much thought. The latter describes the state of tools, such as smart speakers, we allow so that they can seem to anticipate our needs. These concepts feed, in “Forever Listening,” a droning piece lace with muffled voices and occasionally riddled with something like a shot from a video game.

An accompanying video, by Ilan Katin, uses what appears to be dated footage from a security camera from a store to make its point: we’re being watched at the most mundane moments. If this tense area of study suggests a sense of alarm, Guffond meets that with the sound of one just before the track comes to a quietly vibrating close.

Get the full album at jasmineguffond.bandcamp.com. Video originally posted a the YouTube channel of Ilan Katin. More from Guffond, an Australian based in Berlin, Germany, at jasmineguffond.com.

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  • about

  • Marc Weidenbaum founded the website Disquiet.com in 1996 at the intersection of sound, art, and technology, and since 2012 has moderated the Disquiet Junto, an active online community of weekly music/sonic projects. He has written for Nature, Boing Boing, The Wire, Pitchfork, and NewMusicBox, among other periodicals. He is the author of the 33 1⁄3 book on Aphex Twin’s classic album Selected Ambient Works Volume II. Read more about his sonic consultancy, teaching, sound art, and work in film, comics, and other media

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    • December 13, 2022: This day marks the 26th anniversary of the founding of Disquiet.com.
    • January 6, 2023: This day marked the 11th anniversary of the start of the Disquiet Junto music community.

  • Recent
    • April 16, 2022: I participated in an online "talk show" by The Big Conversation Space (Niki Korth and Clémence de Montgolfier).
    • March 11, 2022: I hosted a panel discussion between Mark Fell, Rian Treanor and James Bradbury in San Francisco as part of the Algorithmic Art Assembly (aaassembly.org) at Gray Area (grayarea.org).
    • December 28, 2021: This day marked the 10th (!) anniversary of the Instagr/am/bient compilation.
    • January 6, 2021: This day marked the 10th (!) anniversary of the start of the Disquiet Junto music community.
    • December 13, 2021: This day marked the 25th (!) anniversary of the start of the Disquiet Junto music community.
    • There are entries on the Disquiet Junto in the book The Music Production Cookbook: Ready-made Recipes for the Classroom (Oxford University Press), edited by Adam Patrick Bell. Ethan Hein wrote one, and I did, too.
    • A chapter on the Disquiet Junto ("The Disquiet Junto as an Online Community of Practice," by Ethan Hein) appears in the book The Oxford Handbook of Social Media and Music Learning (Oxford University Press), edited by Stephanie Horsley, Janice Waldron, and Kari Veblen. (Details at oup.com.)

  • My book on Aphex Twin's landmark 1994 album, Selected Ambient Works Vol. II, was published as part of the 33 1/3 series, an imprint of Bloomsbury. It has been translated into Japanese (2019) and Spanish (2018).

  • disquiet junto

  • Background
    Since January 2012, the Disquiet Junto has been an ongoing weekly collaborative music-making community that employs creative constraints as a springboard for creativity. Subscribe to the announcement list (each Thursday), listen to tracks by participants from around the world, read the FAQ, and join in.

    Recent Projects

  • 0549 / Sidelines / The Assignment: Get intentional with stereo.
    0548 / Drone Vox / The Assignment: Make a drone using just your voice.
    0547 / Genre Melee / Combine two seemingly different genres.
    0546 / Code Notes / The Assignment: Make music that includes a secret message.
    0545 / Unself-Awareness / The Assignment: Learn from feedback intended for others.

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