The Fractal HeartA live performance by Erika NesseSeptember 3, 2018September 4, 2018 / By Marc Weidenbaum
Listening to le CarréKey moments of sonic telling in Our Kind of TraitorAugust 27, 2018January 18, 2022 / By Marc Weidenbaum
Out of BodyThe sleight of hand of Hatis Noit's live loopingJune 29, 2018June 30, 2018 / By Marc Weidenbaum
Layers of VoiceFrom California-based Noise JockeyFebruary 13, 2018February 14, 2018 / By Marc Weidenbaum
Lindsay Duncanson’s Looped VocaleseDown by the river, iPad in handJanuary 29, 2018 / By Marc Weidenbaum
The Voice as Sound SourceBrona Martin puts her mouth where her synthesizer is.January 23, 2018January 23, 2018 / By Marc Weidenbaum
The Self-Education of Synthesist Emily SpragueA great podcast interview on Sound + ProcessSeptember 23, 2017 / By Marc Weidenbaum
Andrew Weathers’ Psychedelic AmalgamsAnd one particularly quiet track off the often ecstatic new Andrew Weathers Ensemble album, Build a Mountain Where Our Bodies FallSeptember 20, 2017September 20, 2017 / By Marc Weidenbaum
Disquiet Junto Project 0290: Text-to-BeatUse computer-generated speech as the rhythmic foundation for a track.July 20, 2017 / By Marc Weidenbaum