IM-OS: The Journal of Improvised Music – Open ScoresEdited by Carl Bergstrøm-Nielsen and Jukka-Pekka KervinenAugust 29, 2020 / By Marc Weidenbaum
Broken Media and Entering the PastTwo reminders of technology's mediationDecember 15, 2019 / By Marc Weidenbaum
[investigatory synth music]The joy of non-diegetic subtitlesDecember 15, 2019December 15, 2019 / By Marc Weidenbaum
The Chernobyl EffectScores that draw sonic material from the environments in which they're setJune 23, 2019June 23, 2019 / By Marc Weidenbaum
We Belong to the Sound of the WordsA vacation week at the Oregon Shakespeare FestivalJune 16, 2019November 10, 2019 / By Marc Weidenbaum
Personal Soundtrack 3.0More from Neal Stephenson's Fall: Or, Dodge in HellJune 12, 2019 / By Marc Weidenbaum
Disquiet Junto Project 0361: Zork DiariesThe Assignment: Score a classic interactive fiction.November 29, 2018November 30, 2018 / By Marc Weidenbaum
Clint Mansell Says, “Shhhhh!”What appears to be the score from MuteSeptember 4, 2018 / By Marc Weidenbaum