Tangents: Ballard, Riley, Turntables …

Recommended reading, news, and so forth elsewhere:

What Pop Music Tells Us About JG Ballard (bbc.co.uk): As is often the case on the web, this solid overview (of JG Ballard references in pop music, on the occasion of his recent death) is expanded by readers in the comments section. Joy Division, Comsat Angels, Radiohead, Trevor Horn, "Warm Leatherette" …

Robert Carl on His Forthcoming Book on Terry Riley’s ‘In C’ (oup.com): With its recent revival at Carnegie Hall, Terry Riley's early maximalist work, In C, is experiencing a new audience. University of Hartford professor Carl writes about his book's development: "I’ve watched my composition students over the years become more open, fluent, and unintimidated by improvisation as part of their practice, even if they self-identify as 'classical.'" (Found via twitter.com/aworks.)

175 Art People, Places, and Things to Follow on Twitter (glasstire.com): Massive list of art-related people and places with Twitter accounts. I'm still in the process of parsing for sound-related sources.

vinylengine.com: Remarkable database of turntables. Found info on my lovely Revolver in there.

University of Akron Restores Sound Art (ohio.com): Harry Bertoia’s Tactile Sounding Sculpture (1976), housed at Akron's Guzzetta Hall, had been out of commission reportedly for about a year, but has now been reinstalled.

More online resources at disquiet.com/elsewhere.

Images of the Week: Type Chair Music

Promotional shots for the upcoming Futuresonic even in Manchester, UK, between May 13 and 23, include (left) “Fabien Cappello turns type into beautiful music using a modified traditional typewriter” and (right) “a comfortable lounge chair by Vahakn Matossian houses an audio processing ‘brain,’ microphone, joystick and sound horns.”

More on the festival at futuresonic.com.

Quote of the Week: Sponsored by the Letter C

A few of the long list of highlights that Sidney (thestandingroom.com) Chen reported, having participated in the performance of Terry Riley‘s In C at Carnegie Hall on April 24:

    Feeling the pulse emerge from Evan Ziporyn‘s bass clarinet before consciously hearing it …

    Looking upstage and seeing Adam Sliwinski from So Percussion clapping the pulse, and realizing that the clapping I was hearing wasn’t from the monitors but from the audience …

    The almost shocking sense of portent in figure 21 …

    The instrumental ensemble receding in figure 22 to reveal the canon already underway between the adult singers stage right and the children’s choir stage left (and then feeling Trevor Dunn come in under that!) …

    The bass frequency leviathans surfacing in figure 29 …

    The moment when the pulse was taken over by the accordion …

    David Harrington‘s limpid melody in figure 35, softly dancing above the pulsation, and all the raucous individual voices that followed his lead …

    So many overtones! …

    The sudden appearance of a banjo in the texture, and knowing that it’s from Dan Zanes directly upstage …

    Morton Subotnick playing a clarinet (instead of a Buchla Box) …

    The stillness of figure 48, everyone recharging for the final push …

    Dave Douglas‘s augmentation of the rhythm in figure 52 or 53, soaring above a massive crescendo …

    The beautiful, resonant silence that followed, which was all the indication we needed to know that people had been with us the whole way.

More on the performance at carnegiehall.org.

Top 10 Posts from April

The top 10 posts for the last 30 days are as follows, grouped here for the sake of comparison:

Again, free MP3s were the major draw, though the second most popular post of the month was … (1) the list of the most popular posts of March (which included material on DJ /rupture, Langston Hughes, David Foster Wallace, Marina Vendrell Renaut, and others).

The two other non-MP3 entries to make the top-10 list were (2) an Image of the Week of a small instrument used at a Nicolas Collins/Hans Koch concert in Chicago, and (3) Twitter-based riffs on Brian Eno and Peter Schmidt‘s Oblique Strategies by science fiction author Richard Kadrey (which provided a Quote of the Week).

The remaining seven most read entries of April included (4) Buddha Machine-infused music by Terge Paulsen, (5) the first single of the new Moby album (with a video by David Lynch), (6) a full set of tunes created on the Nintendo Korg DS-10 cartridge (plus some thoughts on the new Nintendo DSi, which has some promising sound tools built in), (7) an experiment in 3D sound, (8) a live noise performance by Fognozzle, (9) Justin Hardison‘s sound journal, and a (10) video-game-inspired three-track release from the Surreal Madrid netlabel.

Hildegard Westerkamp / Roy Kiyooka MP3

Last year, Hildegard Westerkamp joined several other artists in investigating the work and life of Canadian art figure Roy Kiyooka. For her piece, Westerkamp created a sound collage, 15 minutes long, that puts Kiyooka’s own words in various contexts, some literal, some documentarian, some representative, some abstract. In the five-minute excerpt at her website, sfu.ca/~westerka, one hears at times his voice plainly stated, and at other with electronic effects that emphasize certain points, as well as various real-world sounds, including other voices, that comment on or illustrate his thoughts and thought processes. For example, when Kiyooka recalls speaking to his mother in Japanese, voices in Japanese appear quietly in the background — a word that plays an important role as the work, titled MotherVoiceTalk, unfolds.

[audio:http://www.sfu.ca/~westerka/assets/mp3s/mothervoiceexcerpt2.mp3|titles=”MotherVoiceTalk”|artists=Hildegard Westerkamp]