The Sixteen-Millimeter FractalA work of percussive wordplay by Erika NesseApril 5, 2016April 5, 2016 / By Marc Weidenbaum
Lesley Flanigan Sings to the MachineA preview of her forthcoming album, HederaMarch 23, 2016March 24, 2016 / By Marc Weidenbaum
Why We ListenI talk with Marc Kate about surface noise, classical motifs, and the reversal of Aphex TwinMarch 22, 2016 / By Marc Weidenbaum
Julianna Barwick’s Machine-Woman InterfaceA track from her forthcoming album, WillMarch 8, 2016 / By Marc Weidenbaum
Remixing the Radiophonic WorkshopChris McAvoy goes meta with old BBC samples.March 5, 2016 / By Marc Weidenbaum
La Voix HumaineCocteau, Poulenc, Duval, and technological art of the telephoneFebruary 3, 2016 / By Marc Weidenbaum
Vowels Accumulate Over Days and MonthsAn experiment in beading, accrual, and tonality by Steph HorakFebruary 3, 2016 / By Marc Weidenbaum
Northern DarksMusic and sound Norwegians make come winter, including Geir Jenssen (aka Biosphere)December 22, 2015December 21, 2015 / By Marc Weidenbaum
That Time I Interviewed Brian Eno in 1990And John Cale, regarding their Wrong Way Up collaborationNovember 30, 2015 / By Marc Weidenbaum
Realtime SonificationA KQED interview with Mahmoud Hashemi about Listen to WikipediaNovember 27, 2015November 27, 2015 / By Marc Weidenbaum